Diamond Age

On the private channel to Miss Braithwaite, Nell said, "He still doesn't get it. This isn't a fantasy scenario anymore. This is real. Madame Ping's is actually a CryptNet operation. We've been drawing him in for the last several years. Now he belongs to us, and he's going to give us information, and he's going to keep giving it to us, because he's our slave."

Miss Braithwaite acted the scene as suggested, making up more florid dialogue as she went along. Watching the bio readouts, Nell could see that Colonel Napier was just as scared and excited, now, as he had been on his very first visit to Madame Ping's several years ago (they kept records). They were making him feel young again, and fully alive.

"Are you connected with Dr. X?" Colonel Napier said.

"We'll ask the questions," Nell said.

"I shall do the asking. Lotus, give him twenty for that!" said Miss Braithwajte, and the maid went to work on Colonel Napier with a cane.

The rest of the session almost ran itself, which was good for Nell, because she had been startled by Napier's reference to Dr. X and had gone into a reverie, remembering comments that Harv had made about the same person many years ago.

Miss Braithwaite knew her job and understood Nell's strategy instantly: the scenario did not excite the client unless there was a genuine contest of wills, and the only way for them to create that contest was to force Napier to reveal real classified information.

Reveal it he did, bit by bit, under the encouragement of Lotus's bamboo and Miss Braithwaite's voice. Most of it had to do with troop movements and other minutiae that he probably thought was terribly interesting. Nell didn't.

"Get more about Dr. X," she said. "Why did he assume a connection between CryptNet and Dr. X?" After a few more minutes of whacking and verbal domination, Colonel Napier was ready to spill. "Big operation of ours for many years now-Dr. X is working in collusion with a high-level CryptNet figure, the Alchemist. Working on something they mustn't be allowed to have."

"Don't you dare hold back on me," Miss Braithwaite said.

But before she could extract more information about the Alchemist, the building was jolted by a tremendous force that sent thin cracks racing through the old concrete. In the silence that followed, Nell could hear women screaming all over the building, and a crackling, hissing sound as dust and sand sifted out of a fissure in the ceiling. Then her ears began to resolve another sound: men shouting, "Sha! Sha!"

"I suggest that someone has just breached the wall of your building with an explosive charge," Colonel Napier said, perfectly calm. "If you would be so good as to terminate the scenario now and release me, I shall try to make myself useful in whatever is to follow."

Whatever is to follow. The shouting meant simply, "Kill! Kill!" and was the battle cry of the Fists of Righteous Harmony.

Perhaps they wanted Colonel Napier. But it was more likely that they had decided to attack this place for its symbolic value as a den of barbarian decadence.

Miss Braithwaite and Lotus had already gotten Colonel Napier out of his restraints, and he was pulling on his trousers. "That we are not all dead implies that they are not making use of nanotechnological methods," he said professorially. "Hence this attack may safely be assumed to originate from a low-level neighborhood cell. The attackers probably believe the Fist doctrine that they are immune from all weapons. It never hurts, in these situations, to give them a reality check of some sort."

The door to Napier's room flew open, splinters of blond naked wood hissing across the floor. Nell watched, as though watching an old movie, as Colonel Napier drew a ridiculously shiny cavalry saber from its scabbard and ran it through the chest of the attacking Fist. This one fell back into another, creating momentary confusion; Napier took advantage of it, methodically planting his feet in a rather prissy-looking stance, squaring his shoulders, calmly reaching out, as if he were using the saber to poke around in a dark closet, and twitching the point beneath the second Fist's chin, incidentally cutting his throat in the process. A third Fist had gotten into the room by this point, this one bearing a long pole with a knife lashed to the end of it with the gray polymer ribbon peasants used for rope.

But as he tried to wheel the weapon around, its butt end got tangled up in the rack to which Napier had lately been tied. Napier stepped forward cautiously, checking his footing as he went, as if he did not want to get any blood on his boots, parried a belated attack, and stabbed the Fist in the thorax three times in quick succession. Someone kicked at the door to Nell's room.

"Ah," Colonel Napier sighed, when it seemed clear that there were no more attackers in this party, "it is really very singular that I happen to have brought the full dress uniform, as edged weapons are not a part of our usual kit."

Several kicks had failed to open Nell's door, which unlike the ones in the scenario rooms was made of a modern substance and could not possibly be broken in that way. But Nell could hear voices out in the corridor and suspected that contrary to Napier's speculation, they might have nanotech devices of a very primitive sort— small explosives, say, capable of blowing doors open.

She ditched her long dress, which would only get in the way, and got down on knees and elbows to peer through the crack under the door. There were two pairs of feet. She could hear them conversing in low, businesslike tones.

Nell opened the door suddenly with one hand, reaching through with the other to shove a fountain pen into the throat of the Fist standing closest to the door. The other one reached for an old automatic rifle slung over his shoulder. This gave Nell more than enough time to kick him in the knee, which may or may not have done permanent damage but certainly threw him off balance. The Fist kept trying to bring his rifle to bear, as Nell kicked him over and over again. In the end she was able to twist the rifle free from his feeble one-handed grasp, whirl it around, and butt him in the head.

The Fist with the pen in his neck was sitting on the floor watching her calmly. She aimed the rifle his way, and he held up one hand and looked down and away. His wound was bleeding, but not all that much; she had ruined his week but not hit anything big.

She reflected that it was probably a healthy thing for him in the long run to be rid of the superstition that he was immune to weapons.

Constable Moore had taught her a thing or two about rifles. She stepped back into her room, locked the door, and devoted a minute or so to familiarizing herself with its controls, checking the magazine (only half full) and firing a single round (into the door, which stopped it) just to make sure it worked.

She was trying to suppress a flashback to the screwdriver incident. This frightened her until she realized that this time around she was much more in control of the situation. Her conversations with the Constable had not been without effect.

Then she made her way down the corridors and stairwells toward the lobby, slowly gathering a retinue of terrified young women along her way. They passed a few clients, mostly male and mostly European, who had been pulled from their scenario rooms and crudely hacked up by the Fists. Three times she had to fire, surprised each time at how complicated it was. Accustomed to the Primer, Nell had to make allowances when functioning in the real world.

She and her followers found Colonel Napier in the lobby, about three-quarters dressed, carrying on a memorable edged-weapons duel with a couple of Fists who had, perhaps, been left there to keep the path of escape open. Nell considered trying to shoot at the Fists but decided against it, because she did not trust her marksmanship and also because she was mesmerized by the entire scene.

Nell would have been dazzled by Colonel Napier if she had not recently seen him strapped to a rack. Still, there was something about this very contradiction that made him, and by extension all Victorian men, fascinating to her. They lived a life of nearly perfect emotional denial-a form of asceticism as extreme as that of a medieval stylite. Yet they did have emotions, the same as anyone else, and only vented them in carefully selected circumstances.

Napier calmly impaled a Fist who had tripped and fallen, then turned his attention to a new antagonist, a formidable character skilled with a real sword. The duel between Western and Eastern martial arts moved back and forth across the lobby floor, the two combatants staring directly into one another's eyes and trying to intuit the other's thoughts and emotional state. The actual thrusts and parries and ripostes, when they came, were too rapid to be understood. The Fist's style was quite beautiful to watch, involving many slow movements that looked like the stretching of large felines at the zoo. Napier's style was almost perfectly boring: He moved about in a crabbed stance, watched his opponent calmly, and apparently did a lot of deep thinking.

Watching Napier at work, watching the medals and braid swinging and glinting on his jacket, Nell realized that it was precisely their emotional repression that made the Victorians the richest and most powerful people in the world. Their ability to submerge their feelings, far from pathological, was rather a kind of mystical art that gave them nearly magical power over Nature and over the more intuitive tribes. Such was also the strength of the Nipponese.

Before the struggle could be resolved, a smart flechette, horsefly-size, trailing a whip antenna as thick as a hair and as long as a finger, hissed in through a broken window and thunked into the back of the Fist's neck. It did not strike very hard but must have shot some poison into his brain. He sat down quickly on the floor, closed his eyes, and died in that position.

"Not very chivalrous," Colonel Napier said distastefully. "I suppose I have some bureaucrat up on New Chusan to thank for that."

A cautious tour of the building turned up several more Fists who had died in the same fashion. Outside, the same old crowd of refugees, beggars, pedestrians, and cargo-carrying bicyclists streamed on, about as undisturbed as the Yangtze.

Colonel Napier did not return to Madame Ping's the next week, but Madame Ping did not blame Nell for the loss of his custom. To the contrary, she praised Nell for having correctly divined Napier's wishes and for improvising so well. "A fine performance," she said.

Nell had not really thought of her work as a performance, and for some reason Madame Ping's choice of words provoked her in a way that kept her awake late that night, staring into the darkness above her bunk.

Since she had been very small, she had made up stories and recited them to the Primer, which were often digested and incorporated into the Primer's stories. It had come naturally to Nell to do the same work for Madame Ping. But now her boss was calling it a performance, and Nell had to admit that it was, in a way.

Her stories were being digested, not by the Primer, but by another human being, becoming a part of that person's mind. That seemed simple enough, but the notion troubled her for a reason that did not become clear until she had lain half-asleep and fretted over it for several hours.

Colonel Napier did not know her and probably never would. All of the intercourse between him and Nell had been mediated through the actress pretending to be Miss Braithwaite, and through various technological systems.

Nonetheless she had touched him deeply. She had penetrated farther into his soul than any lover. If Colonel Napier had chosen to return the following week and Nell had not been present to make up the story for him, would he have missed her? Nell suspected that he would have. From his point of view, some indefinable essence would have been wanting, and he would have departed unsatisfied.

If this could happen to Colonel Napier in his dealings with Madame Ping's, could it happen to Nell in her dealings with the Primer? She had always felt that there was some essence in the book, something that understood her and even loved her, something that forgave her when she did wrong and appreciated what she did right.

When she'd been very young, she hadn't questioned this at all; it had been part of the book's magic. More recently she had understood it as the workings of a parallel computer of enormous size and power, carefully programmed to understand the human mind and give it what it needed.

Now she wasn't so sure. Princess Nell's recent travels through the lands of King Coyote, and the various castles with their increasingly sophisticated computers that were, in the end, nothing more than Turing machines, had caught her up in a bewildering logical circle. In Castle Turing she had learned that a Turing machine could not really understand a human being. But the Primer was, itself, a Turing machine, or so she suspected; so how could it understand Nell?

Could it be that the Primer was just a conduit, a technological system that mediated between Nell and some human being who really loved her? In the end, she knew, this was basically how all ractives worked. The idea was too alarming to consider at first, and so she circled around it cautiously, poking at it from different directions, like a cavewoman discovering fire for the first time. But as she settled in closer, she found that it warmed her and satisfied her, and by the time her mind wandered into sleep, she had become dependent upon it and would not consider going back into the cold and dark place where she had been traveling for so many years.

Carl Hollywood returns to Shanghai;

his forebears in the territory of the Lone Eagles;

Mrs. Kwan's teahouse.

Heavy rains had come rolling into Shanghai from the West, like a harbinger of the Fists of Righteous Harmony and the thundering herald of the coming Celestial Kingdom. Stepping off the airship from London, Carl Hollywood at once felt himself in a different Shanghai from the one he had left; the old city had always been wild, but in a sophisticated urban way, and now it was wild like a frontier town. He sensed this ambience before he even left the Aerodrome; it leaked in from the streets, like ozone before a thunderstorm. Looking out the windows, he could see a heavy rain rushing down, knocking all the nanotech out of the air and down into the gutters, whence it would eventually stain the Huang Pu and then the Yangtze. Whether it was the wild atmosphere or the prospect of being rained upon, he stopped his porters short of the main exit doors so that he could change hats. The hatboxes were stacked on one of the carts; his bowler went into the smallest and topmost box, which was empty, and then he yanked the largest box out from underneath, popping the stack, and took out a ten-gallon Stetson of breathtaking width and sweep, almost like a head-mounted umbrella. Casting an eye into the street, where a rushing brown stream carried litter, road dust, choleraridden sewage, and tons of captive nanotech toward the storm drains, he slipped off his leather shoes and exchanged them for a pair of handtooled cowboy boots, made from hides of gaudy reptiles and avians, the pores of which had been corked with mites that would keep his feet dry even if he chose to wade through the gutters.

Thus reconfigured, Carl Hollywood stepped out into the streets of Shanghai. As he came out the doors of the Aerodrome, his duster billowed in the cold wind of the storm and even the beggars stepped away from him. He paused to light a cigar before proceeding and was not molested; even the refugees, who were starving or at least claimed to be, derived more enjoyment from simply looking at him than they would have from the coins in his pocket. He walked the four blocks to his hotel, pursued doggedly by the porters and by a crowd of youngsters entranced by the sight of a real cowboy.

Carl's grandfather was a Lone Eagle who had ridden out from the crowding and squalor of Silicon Valley in the 1990s and homesteaded a patch of abandoned ranch along a violent cold river on the eastern slope of the Wind River Range. From there he had made a comfortable living as a freelance coder and consultant. His wife had left him for the bright lights and social life of California and been startled when he had managed to persuade a judge that he was better equipped to raise their son than she was. Grandfather had raised Carl Hollywood's father mostly in the out-of-doors, hunting and fishing and chopping wood when he wasn't sitting inside studying his calculus. As the years went by, they had gradually been joined by like-minded sorts with similar stories to tell, so that by the time of the Interregnum they had formed a community of several hundred, loosely spread over a few thousand square miles of nearwilderness but, in the electronic sense, as tightly knit as any small village in the Old West. Their technological prowess, prodigious wealth, and numerous large weapons had made them a dangerous group, and the odd pickup-truck-driving desperadoes who attacked an isolated ranch had found themselves surrounded and outgunned with cataclysmic swiftness. Grandfather loved to tell stories of these criminals, how they had tried to excuse their own crimes by pleading that they were economically disadvantaged or infected with the disease of substance abuse, and how the Lone Eagles— many of whom had overcome poverty or addiction themselves-had dispatched them with firing squads and left them posted around the edge of their territory as NO TRESPASSING signs that even the illiterate could read.

The advent of the Common Economic Protocol had settled things down and, in the eyes of the old-timers, begun to soften and ruin the place. There was nothing like getting up at three in the morning and riding the defensive perimeter in subzero cold, with a loaded rifle, to build up one's sense of responsibility and community. Carl Hollywood's clearest and best memories were of going on such rides with his father. But as they squatted on packed snow boiling coffee over a fire, they would listen to the radio and hear stories about the jihad raging across Xinjiang, driving the Han back into the east, and about the first incidents of nanotech terrorism in Eastern Europe. Carl's father didn't have to tell him that their community was rapidly acquiring the character of a historical theme park, and that before long they would have to give up the mounted patrols for more modern defensive systems.

Even after those innovations had been made and the community had mostly joined up with the First Distributed Republic, Carl and his father and grandfather had continued to do things in the old way, hunting elk and heating their houses with wood-burning stoves and sitting behind their computer screens in dark rooms late into the night hand-tooling code in assembly language. It was a purely male household (Carl's mother had died when he was nine years old, in a rafting accident), and Carl had fled the place as soon as he'd found a way, going to San Francisco, then New York, then London, and making himself useful in theatrical productions. But the older he got, the more he understood in how many ways he was rooted in the place where he grew up, and he never felt it more purely than he did striding down a crowded street in a Shanghai thunderstorm, puffing on a thick cigar and watching the rain dribble from the rim of his hat. The most intense and clear sensations of his life had flooded into his young and defenseless mind during his first dawn patrol, knowing the desperadoes were out there somewhere. He kept returning to these memories in later life, trying to recapture the same purity and intensity of sensation, or trying to get his ractors to feel it. Now for the first time in thirty years he felt the same thing, this time on the streets of Shanghai, hot and pulsing on the edge of a dynastic rebellion, like the arteries of an old man about to have his first orgasm in years.

He merely touched base at his hotel, where he stuffed the pockets of his coat with a sheaf of foolscap, a fountain pen, a silver box loaded with cigars like rounds in an ammo clip, and some tiny containers of nanosnuff that he could use to adjust the functioning of his brain and body. He also hefted a heavy walking-stick, a real wizard's staff loaded with security aerostats that would shepherd him back to the hotel in the event of a riot. Then he returned once more to the streets, shouldering for a mile through the crowd until he reached a teahouse where he had passed many long nights during his tenure at the Parnasse. Old Mrs. Kwan welcomed him warmly, bowing many times and showing him to his favorite corner table where he could look out on the intersection of Nanjing Road and a narrow side street jammed with tiny market stalls. All he could see now were the backs and buttocks of people in the street, jammed up against the glass by the pressure of the crowd. He ordered a big pot of his favorite green tea, the most expensive kind, picked in April when the leaves were tender and young, and spread out his sheets of foolscap across the table. This teahouse was fully integrated into the worldwide media network, and so the pages automatically jacked themselves in. Under Carl Hollywood's murmured commands they began to fill themselves with columns of animated text and windows bearing images and cine feeds. He took his first sip of tea-always the best one— withdrew his big fountain pen from his pocket, removed the lid, and touched it to the paper. He began to inscribe commands onto the page, in words and drawings. As he finished the words, they were enacted before him, and as he drew the lines between the boxes and circles, links were made and information flowed.

At the bottom of the page he wrote the word MIRANDA and drew a circle around it. It was not connected to anything else in the diagram yet. He hoped that before long it would be. Carl Hollywood worked on his papers late into the night, and Mrs. Kwan continued to replenish his teapot and to bring him little sweets and decorated the edge of his table with candles as night fell and the teahouse darkened, for she remembered that he liked to work by candlelight.

The Chinese people outside, separated from him by half an inch of crosslinked diamond, watched with their noses making white ellipses against the pane, their faces glowing in the candlelight like ripe peaches hanging in dark lush foliage.

The Hackworths in transit, and in London;

the East End;

a remarkable boatride;

Dramatis Personae;

a night at the theatre.

Smooth, fine-grained arctic clouds undulated slowly like snow drifts into the distance, a thousand miles looking like the width of a front yard, lit but not warmed by a low apricot sun that never quite went down. Fiona lay on her stomach on the top bunk, looking out the window, watching her breath condense on the pane and then evaporate in the parched air.

"Father?" she said, very softly, to see if he was awake.

He wasn't, but he woke up quickly, as if he'd been in one of those dreams that just skims beneath the surface of consciousness, like an airship clipping a few cloud-tops. "Yes?"

"Who is the Alchemist? Why are you looking for him?"

"I would rather not explain why I'm looking for him. Let us say that I have incurred obligations that want settling." Her father seemed more preoccupied with the second part of the question than she'd expected, and his voice was steeped in regret.

"Who is he?" she insisted gently.

"Oh. Well, my darling, if I knew that, I'd have found him."

"Father!"

"What sort of a person is he? I haven't been afforded many clues, unfortunately. I've tried to draw some deductions from the sorts of people who are looking for him, and the sort of person I am."

"Pardon me, Father, but what bearing does your own nature have on that of the Alchemist?"

"More than one knowledgeable sort has arrived at the conclusion that I'm just the right man to find this fellow, even though I know nothing of criminals and espionage and so forth. I'm just a nanotechnological engineer."

"That's not true, Father! You're ever so much more than that. You know so many stories-you told me so many, when you were gone, remember?"

"I suppose so," he allowed, strangely diffident.

"And I read it every night. And though the stories were about faeries and pirates and djinns and such, I could always sense that you were behind them. Like the puppeteer pulling the strings and imbuing them with voices and personalities. So I think you're more than an engineer. It's just that you need a magic book to bring it out."

"Well . . . that's a point I had not considered," her father said, his voice suddenly emotional. She fought the temptation to peer over the edge of the bed and look at his face, which would have embarrassed him. Instead she curled up in her bed and closed her eyes.

"Whatever you may think of me, Fiona— and I must say I am pleasantly surprised that you think of me so favourably— to those who despatched me on this errand, I am an engineer. Without being arrogant, I might add that I have advanced rapidly in that field and attained a position of not inconsiderable responsibility. As this is the only characteristic that distinguishes me from other men, it can be the only reason I was chosen to find the Alchemist. From this I infer that the Alchemist is himself a nanotechnological researcher of some sophistication, and that he is thought to be developing a product that is of interest to more than one of the Powers."

"Are you talking about the Seed, Father?"

He was silent for a few moments. When he spoke again, his voice was high and tight. "The Seed. How did you know about the Seed?"

"You told me about it, Father. You told me it was a dangerous thing, and that Protocol Enforcement mustn't allow it to be created. And besides . . .

"Besides what?"

She was on the verge of reminding him that her dreams had been filled with seeds for the last several years, and that every story she had seen in her Primer had been replete with them: seeds that grew up into castles; dragon's teeth that grew up into soldiers; seeds that sprouted into giant beanstalks leading to alternate universes in the clouds; and seeds, given to hospitable, barren couples by itinerant crones, that grew up into plants with bulging pods that contained happy, kicking babies.

But she sensed that if she mentioned this directly, he would slam the steel door in her face— a door that was tantalizingly cracked open at the moment.

"Why do you think that Seeds are so interesting?" she essayed.

"They are interesting inasmuch as a beaker of nitroglycerin is interesting," he said. "They are subversive technology. You are not to speak of Seeds again, Fiona— CryptNet agents could be anywhere, listening to our conversation."

Fiona sighed. When her father spoke freely, she could sense the man who had told her the stories. When certain subjects were broached, he drew down his veil and became just another Victorian gentleman. It was irksome. But she could sense how the same characteristic, in a man who was not her father, could be provocative. It was such an obvious weakness that neither she nor any woman could resist the temptation to exploit it-a mischievous and hence tantalizing notion that was to occupy much of Fiona's thinking for the next few days, as they encountered other members of their tribe in London.

. . .

After a simple dinner of beer and pasties in a pub on the fringes of the City, they rode south across the Tower Bridge, pierced a shallow layer of posh development along the right bank of the river, and entered into Southwark. As in other Atlantan districts of London, Feed lines had been worked into the sinews of the place, coursing through utility tunnels, clinging to the clammy undersides of bridges, and sneaking into buildings through small holes bored in the foundations. The tiny old houses and flats of this once impoverished quarter had mostly been refurbished into toeholds for young Atlantans from all around the Anglosphere, poor in equity but rich in expectations, who had come to the great city to incubate their careers. The businesses on the ground floors tended to be pubs, coffeehouses, and music halls. As father and daughter worked their way east, generally paralleling the river, the lustre that was so evident near the approaches to the bridge began to wear thin in places, and the ancient character of the neighborhood began to assert itself, as the bones of the knuckles reveal their shape beneath the stretched skin of a fist. Wide gaps developed between the waterfront developments, allowing them to look across the river into a district whose blanket of evening fog was already stained with the carcinogenic candy-colored hues of big mediatrons.

Fiona Hackworth noticed a glow in the air, which resolved into a constellation when she blinked and focused. A pinprick of green light, an infinitesimal chip of emerald, touched the surface of her eye, expanding into a cloud of light. She blinked twice, and it was gone. Sooner or later it and many others would make their way to the corners of her eyes, giving her a grotesque appearance. She drew a handkerchief from her sleeve and wiped her eyes. The presence of so many lidar-emitting mites prompted her to realize that they had been infiltrating a great expanse of fog for some minutes without really being aware of it; moisture from the river was condensing around the microscopic guardians of the border. Colored light flashed vaguely across the screen of fog before them, silhouetting a stone column planted in the center of the road: wings of a gryphon, horn of a unicorn, crisp and black against a lurid cosmos.