Diamond Age

Diamond Age or A Young Lady's Illustrated Primer

Neil Stephenson

By nature, men are nearly alike; by practice, they get to be wide apart.

-Confucius

Moral reforms and deteriorations are moved by large forces, and they are mostly caused by reactions from the habits of a preceding period. Backwards and forwards swings the great pendulum, and its alternations are not determined by a few distinguished folk clinging to the end of it.

-Sir Charles Petrie, THE VICTORIANS

PART THE FIRST

A thete visits a mod parlor;

noteworthy features of modern armaments.

The bells ofen St. Mark's were ringing changes up on the mountain when Bud skated over to the mod parlor to upgrade his skull gun. Bud had a nice new pair of blades with a top speed of anywhere from a hundred to a hundred and fifty kilometers, depending on how fat you were and whether or not you wore aero. Bud liked wearing skin-tight leather, to show off his muscles. On a previous visit to the mod parlor, two years ago, he had paid to have a bunch of 'sites implanted in his muscles— little critters; too small to see or feel, that twitched Bud's muscle fibers electrically according to a program that was supposed to maximize bulk. Combined with the testosterone pump embedded in his forearm, it was like working out in a gym night and day, except you didn't have to actually do anything and you never got sweaty. The only drawback was that all the little twitches made him kind of tense and jerky. He'd gotten used to it, but it still made him a little hinky on those skates, especially when he was doing a hundred clicks an hour through a crowded street. But few people hassled Bud, even when he knocked them down in the street, and after today no one would hassle him ever again.

Bud had walked away, improbably unscratched, from his last job— decoy- with something like a thousand yuks in his pocket. He'd spent a third of it on new clothes, mostly black leather, another third of it on the blades, and was about to spend the last third at the mod parlor. You could get skull guns a lot cheaper, of course, but that would mean going over the Causeway to Shanghai and getting a back-alley job from some Coaster, and probably a nice bone infection in with the bargain, and he'd probably pick your pocket while he had you theezed. Besides, you could only get into a Shanghai if you were virgin. To cross the Causeway when you were already packing a skull gun, like Bud, you had to bribe the shit out of numerous Shanghai cops. There was no reason to economize here. Bud had a rich and boundless career ahead of him, vaulting up a hierarchy of extremely dangerous drug-related occupations for which decoy served as a paid audition of sorts. A start weapons system was a wise investment.

The damn bells kept ringing through the fog. Bud mumbled a command to his music system, a phased acoustical array splayed across both eardrums like the seeds on a strawberry. The volume went up but couldn't scour away the deep tones of the carillon, which resonated in his long bones. He wondered whether, as long as he was at the mod parlor, he should have the batteries drilled out of his right mastoid and replaced. Supposedly they were ten-year jobs, but he'd had them for six and he listened to music all the time, loud.

Three people were waiting. Bud took a seat and skimmed a mediatron from the coffee table; it looked exactly like a dirty, wrinkled, blank sheet of paper. "'Annals of Self-Protection,'" he said, loud enough for everyone else in the place to hear him. The logo of his favorite meedfeed coalesced on the page. Mediaglyphics, mostly the cool animated ones, arranged themselves in a grid. Bud scanned through them until he found the one that denoted a comparison of a bunch of different stuff, and snapped at it with his fingernail. New mediaglyphics appeared, surrounding larger cine panes in which Annals staff tested several models of skull guns against live and dead targets. Bud frisbeed the mediatron back onto the table; this was the same review he'd been poring over for the last day, they hadn't updated it, his decision was still valid.

One of the guys ahead of him got a tattoo, which took about ten seconds. The other guy just wanted his skull gun reloaded, which didn't take much longer. The girl wanted a few 'sites replaced in her racting grid, mostly around her eyes, where she was starting to wrinkle up. That took a while, so Bud picked up the mediatron again and went in a ractive, his favorite, called Shut Up or Die!

The mod artist wanted to see Bud's yuks before he installed the gun, which in other surroundings might have been construed as an insult but was standard business practice here in the Leased Territories. When he was satisfied that this wasn't a stick-up, he theezed Bud's forehead with a spray gun, scalped back a flap of skin, and pushed a machine, mounted on a delicate robot arm like a dental tool, over Bud's forehead. The arm homed in automatically on the old gun, moving with alarming speed and determination. Bud, who was a little jumpy at the best of times because of hismuscle stimulators, flinched a little. But the robot arm was a hundred times faster than he was and plucked out the old gun unerringly. The proprietor was watching all of this on a screen and had nothing to do except narrate: "The hole in your skull's kind of rough, so the machine is reaming it out to a larger bore— okay, now here comes the new gun."

A nasty popping sensation radiated through Bud's skull when the robot arm snapped in the new model. It reminded Bud of the days of his youth, when, from time to time, one of his playmates would shoot him in the head with a BB gun. He instantly developed a low headache.

"It's loaded with a hundred rounds of popcorn," the proprietor said, "so you can test out the yuvree. Soon as you're comfortable with it, I'll load it for real." He stapled the skin of Bud's forehead back together so it'd heal invisibly. You could pay the guy extra to leave a scar there on purpose, so everyone would know you were packing, but Bud had heard that some chicks didn't like it. Bud's relationship with the female sex was governed by a gallimaufry of primal impulses, dim suppositions, deranged theories, overheard scraps of conversation, half-remembered pieces of bad advice, and fragments of no-doubt exaggerated anecdotes that amounted to rank superstition. In this case, it dictated that he should not request the scar.

Besides, he had a nice collection of Sights— not very tasteful sunglasses with crosshairs hudded into the lens on your dominant eye. They did wonders for marksmanship, and they were real obvious too, so that everyone knew you didn't fuck with a man wearing Sights.

"Give it a whirl," the guy said, and spun the chair around— it was a big old antique barber chair upholstered in swirly plastic— so Bud was facing a mannikin in the corner of the room. The mannikin had no face or hair and was speckled with little burn marks, as was the wall behind it.

"Status," Bud said, and felt the gun buzz lightly in response. "Stand by," he said, and got another answering buzz. He turned his face squarely toward the mannikin.

"Hut," he said. He said it under his breath, through unmoving lips, but the gun heard it; he felt a slight recoil tapping his head back, and a startling POP sounded from the mannikin, accompanied by a flash of light on the wall up above its head. Bud's headache deepened, but he didn't care.

"This thing runs faster ammo, so you'll have to get used to aiming a tad lower," said the guy. So Bud tried it again and this time popped the mannikin right in the neck.

"Great shot! That would have decapped him if you were using Hellfire," the guy said. "Looks to me like you know what you're doing— but there's other options too. And three magazines so you can run multiple ammos."

"I know," Bud said, "I been checking this thing out." Then, to the gun, "Disperse ten, medium pattern." Then he said "hut" again. His head snapped back much harder, and ten POPs went off at once, all over the mannikin's body and the wall behind it. The room was getting smoky now, starting to smell like burned plastic.

"You can disperse up to a hundred," the guy said, "but the recoil'd probably break your neck."

"I think I got it down," Bud said, "so load me up. First magazine with electrostun rounds. Second magazine with Cripplers. Third with Hellfires. And get me some fucking aspirin."

Source Victoria;

description of its environs.

Source Victoria's air intakes erupted from the summit of the Royal Ecological Conservatory like a spray of hundred-meter-long calla lilies. Below, the analogy was perfected by an inverted tree of rootlike plumbing that spread fractally through the diamondoid bedrock of New Chusan, terminating in the warm water of the South China Sea as numberless capillaries arranged in a belt around the smartcoral reef, several dozen nieters beneath the surface. One big huge pipe gulping up seawater would have done roughly the same thing, just as the lilies could have been replaced by one howling maw, birds and litter whacking into a bloody grid somewhere before they could gum up the works.

But it wouldn't have been ecological. The geotects of Imperial Tectonics would not have known an ecosystem if they'd been living in the middle of one. But they did know that ecosystems were especially tiresome when they got fubared, so they protected the environment with the same implacable, plodding, green-visored mentality that they applied to designing overpasses and culverts. Thus, water seeped into Source Victoria through microtubes, much the same way it seeped into a beach, and air wafted into it silently down the artfully skewed exponential horns of those thrusting calla lilies, each horn a point in parameter space not awfully far from some central ideal. They were strong enough to withstand typhoons but flexible enough to rustle in a breeze. Birds, wandering inside, sensed a gradient in the air, pulling them down into night, and simply chose to fly out. They didn't even get scared enough to shit.

The lilies sprouted from a stadium-sized cut-crystal vase, the Diamond Palace, which was open to the public. Tourists, aerobicizing pensioners, and ranks of uniformed schoolchildren marched through it year in and year out, peering through walls of glass (actually solid diamond, which was cheaper) at various phases of the molecular disassembly line that was Source Victoria. Dirty air and dirty water came in and pooled in tanks. Next to each tank was another tank containing slightly cleaner air or cleaner water. Repeat several dozen times. The tanks at the end were filled with perfectly clean nitrogen gas and perfectly clean water.

The line of tanks was referred to as a cascade, a rather abstract bit of engineer's whimsy lost on the tourists who did not see anything snapshot-worthy there. All the action took place in the walls separating the tanks, which were not really walls but nearly infinite grids of submicroscopic wheels, ever-rotating and many-spoked. Each spoke grabbed a nitrogen or water molecule on the dirty side and released it after spinning around to the clean side. Things that weren't nitrogen or water didn't get grabbed, hence didn't make it through. There were also wheels for grabbing handy trace elements like carbon, sulfur, and phosphorus; these were passed along smaller, parallel cascades until they were also perfectly pure. The immaculate molecules wound up in reservoirs. Some of them got combined with others to make simple but handy molecular widgets. In the end, all of them were funneled into a bundle of molecular conveyor belts known as the Feed, of which Source Victoria, and the other half-dozen Sources of Atlantis/Shanghai, were the fountainheads.

Financial complications of Bud's lifestyle;

visit to a banker.

Bud surprised himself with how long he went before he had to use the skull gun in anger. Just knowing it was in there gave him such an attitude that no one in his right mind would Rick with him, especially when they saw his Sights and the black leather. He got his way just by giving people the evil eye.

It was time to move up the ladder. He sought work as a lookout. It wasn't easy. The alternative pharmaceuticals industry ran on a start, just-in-time delivery system, keeping inventories low so that there was never much evidence for the cops to seize. The stuff was grown in illicit matter compilers, squirreled away in vacant low-rent housing blocks, and carried by the runners to the actual street dealers. Meanwhile, a cloud of lookouts and decoys circulated probabilistically through the neighborhood, never stopping long enough to be picked up for loitering, monitoring the approach of cops (or cops' surveillance pods) through huds in their sunglasses.

When Bud told his last boss to go Rick himself, he'd been pretty sure he could get a runner job. But it hadn't panned out, and since then a couple more big airships had come in from North America and disgorged thousands of white and black trash into the job market. Now Bud was running out of money and getting tired of eating the free food from the public matter compilers.

The Peacock Bank was a handsome man with a salt-and-pepper goatee, smelling of citrus and wearing an exceedingly snappy doublebreasted suit that displayed his narrow waist to good effect. He was to be found in a rather seedy office upstairs of a travel agency in one of the lurid blocks between the Aerodrome and the brothel-lined waterfront.

The banker didn't say much after they shook hands, just crossed his arms pensively and leaned back against the edge of his desk. In this attitude he listened to Bud's freshly composed prevarication, nodding from time to time as though Bud had said something significant. This was a little disconcerting since Bud knew it was all horseshit, but he had heard that these dotheads prided themselves on customer service.

At no particular point in the monologue, the banker cut Bud off simply by looking up at him brightly. "You wish to secure a line ofcredit," he said, as if he were pleasantly surprised, which was not terribly likely.

"I guess you could say that," Bud allowed, wishing he'd known to put it in such fine-sounding terminology.

The banker reached inside his jacket and withdrew a piece of paper, folded in thirds, from his breast pocket. "You may wish to peruse this brochure," he said to Bud, and to the brochure itself he rattled off something in an unfamiliar tongue. As Bud took it from the banker's hand, the blank page generated a nice animated color logo and music. The logo developed into a peacock. Beneath it, a video presentation commenced, hosted by a similar-looking gent— sort of Indian looking but sort of Arab too. "'The Parsis welcome you to Peacock Bank,'" he said.

"What's a Parsi?" Bud said to the banker, who merely lowered his eyelids one click and jutted his goatee at the piece of paper, which had picked up on his question and already branched into an explanation. Bud ended up regretting having asked, because the answer turned out to be a great deal of general hoo-ha about these Parsis, who evidently wanted to make very sure no one mistook them for dotheads or Pakis or Arabs— not that they had any problem with those very fine ethnic groups, mind you. As hard as he tried not to pay attention, Bud absorbed more than he wanted to know about the Parsis, their oddball religion, their tendency to wander around, even their fucking cuisine, which looked weird but made. his mouth water anyway. Then the brochure got back to the business at hand, which was lines of credit.

Bud had seen this all before. The Peacock Bank was running the same racket as all the others: If they accepted you, they'd shoot the credit card right into you, then and there, on the spot. These guys implanted it in the iliac crest of the pelvis, some opted for the mastoid bone in the skull-anywhere a big bone was close to the surface. A bone mount was needed because the card had to talk on the radio, which meant it needed an antenna long enough to hear radio waves. Then you could go around and buy stuff just by asking for it; Peacock Bank and the merchant you were buying from and the card in your pelvis handled all the details.

Banks varied in their philosophy of interest rates, minimum monthly payments, and so on. None of that mattered to Bud. What mattered was what they would do to him if he got into arrears, and so after he had allowed a decent interval to pass pretending to listen very carefully to all this crap about interest rates, he inquired, in an offhanded way, like it was an afterthought, about their collection policy. The banker glanced out the window like he hadn't noticed.

The soundtrack segued into some kind of a cool jazz number and a scene of a multicultural crew of ladies and gentlemen, not looking much like degraded credit abusers at all, sitting around a table assembling chunky pieces of ethnic jewelry by hand. They were having a good time too, sipping tea and exchanging lively banter. Sipping too much tea, to Bud's suspicious eye, so opaque to so many things yet so keen to the tactics of media manipulation. They were making rather a big deal out of the tea.

He noted with approval that they were wearing normal clothes, not uniforms, and that men and women were allowed to mingle. "Peacock Bank supports a global network of clean, safe, and commodious workhouses, so if unforeseen circumstances should befall you during our relationship, or if you should inadvertently anticipate your means, you can rely on being housed close to home while you and the bank resolve any difficulties. Inmates in Peacock Bank workhouses enjoy private beds and in some cases private rooms. Naturally your children can remain with you for the duration of your visit. Working conditions are among the best in the industry, and the high added-value content of our folk jewelry operation means that, no matter the extent of your difficulties, your situation will be happily resolved in practically no time."

"What's the, uh, strategy for making sure people actually, you know, show up when they're supposed to show up?" Bud said. At this point the banker lost interest in the proceedings, straightened up, strolled around his desk, and sat down, staring out the window across the water toward Pudong and Shanghai. "That detail is not covered in the brochure," he said, "as most of our prospective customers do not share your diligent attention to detail insofar as that aspect of the arrangement is concerned."

He exhaled through his nose, like a man eager not to smell something, and adjusted his goatee one time. "The enforcement regime consists of three phases. We have pleasant names for them, of course, but you might think of them, respectively, as: one, a polite reminder; two, well in excess of your pain threshold; three, spectacularly fatal."

Bud thought about showing this Parsi the meaning of fatal right then and there, but as a bank, the guy probably had pretty good security. Besides, it was pretty standard policy, and Bud was actually kind of glad the guy'd given it to him straight. "Okay, well, I'll get back to you," he said. "Mind if I keep the brochure?"

The Parsi waved him and the brochure away. Bud took to the streets again in search of cash on easier terms.

A visit from royalty;

the Hackworths take an airship holiday;

Princess Charlotte's birthday party;

Hackworth encounters a member of the peerage.

Three geodesic seeds skated over the roofs and gardens of Atlantis/Shanghai on a Friday afternoon, like the germs of some moon-size calabash. A pair of mooring masts sprouted and grew from cricket ovals at Source Victoria Park. The smallest of the airships was decorated with the royal ensign; she kept station overhead as the two large ones settled toward their berths. Their envelopes, filled with nothing, were predominantly transparent. Instead of blocking the sunlight, they yellowed and puckered it, projecting vast abstract patterns of brighter and not-as-bright that the children in their best crinolines and natty short-pants suits tried to catch in their arms. A brass band played. A tiny figure in a white dress stood at the rail of the airship Atlantis, waving at the children below. They all knew that this must be the birthday girl herself, Princess Charlotte, and they cheered and waved back.

Fiona Hackworth had been wandering through the Royal Ecological Conservatory bracketed by her parents, who hoped that in this way they could keep mud and vegetable debris off her skirts. The strategy had not been completely successful, but with a quick brush, John and Gwendolyn were able to transfer most of the dirt onto their white gloves. From there it went straight into the air. Most gentlemen's and ladies' gloves nowadays were constructed of infinitesimal fabricules that knew how to eject dirt; you could thrust your gloved hand into mud, and it would be white a few seconds later.

The hierarchy of staterooms on matched the status of its passengers perfectly, as these parts of the ship could be decompiled and remade between voyages. For Lord Finkle-McGraw, his three children and their spouses, and Elizabeth (his first and only grandchild so far), the airship lowered a private escalator that carried them up into the suite at the very prow, with its nearly 180-degree forward view.

Aft of the Finkle-McGraws were a dozen or so other Equity Lords, merely earl— or baron-level, mostly ushering grandchildren rather than children into the class B suites. Then it was executives, whose gold watch chains, adangle with tiny email-boxes, phones, torches, snuffboxes, and other fetishes, curved round the dark waistcoats they wore to deemphasize their bellies. Most of their children had reached the age when they were no longer naturally endearing to anyone save their own parents; the size when their energy was more a menace than a wonder; and the level of intelligence when what would have been called innocence in a smaller child was infuriating rudeness. A honeybee cruising for nectar is pretty despite its implicit threat, but the same behavior in a hornet three times larger makes one glance about for some handy swatting material. So on the broad escalators leading to the first-class staterooms, one could see many upper arms being violently grabbed by hissing fathers with their top hats askew and teeth clenched and eyes swiveling for witnesses.

John Percival Hackworth was an engineer. Most engineers were assigned to tiny rooms with fold-down beds, but Hackworth bore the loftier title of Artifex and had been a team leader on this very project, so he rated a second-class stateroom with one double bed and a fold-out for Fiona. The porter brought their overnight bags around just as was clearing her mooring mast— a twenty-meter diamondoid truss that had already dissolved back into the billiard-table surface of the oval by the time the ship had turned itself to the south. Lying as close as it did to Source Victoria, the park was riddled with catachthonic Feed lines, and anything could be grown there on short notice.

The Hackworths' stateroom was to starboard, and so as they accelerated away from New Chusan, they got to watch the sun set on Shanghai, shining redly through the city's eternal cloak of coal-smoke. Gwendolyn read Fiona stories in bed for an hour while John perused the evening edition of the Times, then spread out some papers on the room's tiny desk. Later, they both changed into their evening clothes, primping quietly in twilight so as not to wake Fiona. At nine o'clock they stepped into the passageway, locked the door, and followed the sound of the big band to r's grand ballroom, where the dancing was just getting underway. The floor of the ballroom was a slab of transpicuous diamond. The lights were low. They seemed to float above the glittering moonlit surface of the Pacific as they did the waltz, minuet, Lindy, and electric slide into the night.

. . .

Sunrise found the three airships hovering over the South China Sea, no land visible. The ocean was relatively shallow here, but only Hackworth and a few other engineers knew that. The Hackworths had a passable view from their stateroom window, but John woke up early and staked out a place on the diamond floor of the ballroom, ordered an espresso and a Times from a waiter, and passed the time pleasantly while Gwen and Fiona got themselves ready for the day. All around them he could hear children speculating on what was about to happen.

Gwen and Fiona arrived just late enough to make it interesting for John, who took his mechanical pocket watch out at least a dozen times as he waited, and finally ended up clutching it in one hand, nervously popping the lid open and shut. Gwen folded her long legs and spread her skirts out prettily on the transparent floor, drawing vituperative looks from several women who remained standing. But John was relieved to see that most of these women were relatively low-ranking engineers or their wives; none of the higher-ups needed to come to the ballroom.

Fiona collapsed to her hands and knees and practically shoved her face against the diamond, her fundament aloft. Hackworth gripped the creases of his trousers, hitched them up just a bit, and sank to one knee.

The smart coral burst out of the depths with violence that shocked Hackworth, even though he'd been in on the design, seen the trial runs. Viewed through the dark surface of the Pacific, it was like watching an explosion through a pane of shattered glass. It reminded him of pouring a jet of heavy cream into coffee, watching it rebound from the bottom of the cup in a turbulent fractal bloom that solidified just as it dashed against the surface. The speed of this process was a carefully planned sleight-of-hand; the smart coral had actually been growing down on the bottom of the ocean for the last three months, drawing its energy from a supercon that they'd grown across the seafloor for the occasion, extracting the necessary atoms directly from the seawater and the gases dissolved therein. The process happening below looked chaotic, and in a way it was; but each lithocule knew exactly where it was supposed to go and what it was supposed to do. They were tetrahedral building blocks of calcium and carbon, the size of poppyseeds, each equipped with a power source, a brain, and a navigational system. They rose from the bottom of the sea at a signal given by Princess Charlotte; she had awakened to find a small present under her pillow, unwrapped it to find a golden whistle on a chain, stood out on her balcony, and blown the whistle.

The coral was converging on the site of the island from all directions, some of the lithocules traveling several kilometers to reach their assigned positions. They displaced a volume of water equal to the island itself, several cubic kilometers in all. The result was furious turbulence, an upswelling in the surface of the ocean that made some of the children scream, thinking it might rise up and snatch the airship out of the sky; and indeed a few drops pelted the ship's diamond belly, prompting the pilot to give her a little more altitude. The curt maneuver forced hearty laughter from all of the fathers in the ballroom, who were delighted by the illusion of danger and the impotence of Nature.

The foam and mist cleared away at some length to reveal a new island, salmon-colored in the light of dawn. Applause and cheers diminished to a professional murmur. The chattering of the astonished children was too loud and high to hear.

It would be a couple of hours yet. Hackworth snapped his fingers for a waiter and ordered fresh fruit, juice, Belgian waffles, more coffee. They might as well enjoy r's famous cuisine while the island sprouted castles, fauns, centaurs, and enchanted forests.

Princess Charlotte was the first human to set foot on the enchanted isle, tripping down the gangway of Atlantis with a couple of her little friends in tow, all of them looking like tiny wildflowers in their ribboned sun-bonnets, all carrying little baskets for souvenirs, though before long these were handed over to governesses. The Princess faced and Chinook, moored a couple of hundred meters away, and spoke to them in a normal tone of voice that was, however, heard clearly by all; a nanophone was hidden somewhere in the lace collar of her pinafore, tied into phased-audio-array systems grown into the top layers of the island itself.

"I would like to express my gratitude to Lord Finkle-McGraw and all the employees of Machine-Phase Systems Limited for this most wonderful birthday present. Now, children of Atlantis/Shanghai, won't you please join me at my birthday party?"

The children of Atlantis/Shanghai all screamed yes and rampaged down the multifarious gangways of and Chinook, which had all been splayed out for the occasion in hopes of preventing bottlenecks, which might lead to injury or, heaven forbid, rudeness. For the first few moments the children simply burst away from the airships like gas escaping from a bottle. Then they began to converge on sources of wonderment: a centaur, eight feet high if he was an inch, walking across a meadow with his son and daughter cantering around him: Some baby dinosaurs. A cave angling gently into a hillside, bearing promising signs of enchantment. A road winding up another hill toward a ruined castle. The grownups mostly remained aboard the airships and gave the children a few minutes to flame out, though Lord Finkle-McGraw could be seen making his way toward Atlantis, poking curiously at the earth with his walking-stick, just to make sure it was fit to be trod by royal feet.

A man and a woman descended the gangway of Atlantis: in a floral dress that explored the labile frontier between modesty and summer comfort, accessorized with a matching parasol, Queen Victoria II of Atlantis.