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Îñíîâíûå ïðîèçâåäåíèÿ èíîñòðàííîé õóäîæåñòâåííîé ëèòåðàòóðû
Îñíîâíûå ïðîèçâåäåíèÿ èíîñòðàííîé õóäîæåñòâåííîé ëèòåðàòóðû Åâðîïà Àìåðèêà Àâñòðàëèÿ Ëèòåðàòóðíî-áèáëèîãðàôè÷åñêèé ñïðàâî÷íèê 6-å èçä., èñïðàâëåííîå è äîïîëíåííîå Íàñòîÿùåå èçäàíèå ëèòåðàòóðíî-áèáëèîãðàôè÷åñêîãî ñïðàâî÷íèêà "Îñíîâíûå ïðîèçâåäåíèÿ èíîñòðàííîé õóäîæåñòâåííîé ëèòåðàòóðû" â äâóõ òîìàõ ïðèóðî÷åíî ê 75-ëåòèþ Âñåðîññèéñêîé ãîñóäàðñòâåííîé áèáëèîòåêè èíîñòðàííîé ëèòåðàòóðû èì. Ì. È. Ðóäîìèíî Îáùàÿ ðåäàêöèÿ òîìà êàíäèäàòà ôèëîëîãè÷åñêèõ íàóê Â. À. Ñêîðîäåíêî Õóäîæíèê È. Êó÷ìà Ñïðàâî÷íèê ñîäåðæèò îñíîâíûå ñâåäåíèÿ î òâîð÷åñòâå ïèñàòåëåé ñòðàí Åâðîïû (îò àíòè÷íîñòè äî íàøåãî âðåìåíè), Àâñòðàëèè, Àìåðèêè. Àííîòàöèè íà ïðîèçâåäåíèÿ çíàêîìÿò íå òîëüêî ñ òåìàìè, íî è ñ ñþæåòàìè îñíîâíûõ êíèã àâòîðà. Áèáëèîãðàôè÷åñêàÿ ÷àñòü ñïðàâî÷íèêà íîñèò âûáîðî÷íûé õàðàêòåð.  êîíöå ñïðàâî÷íèêà äàí áèáëèîãðàôè÷åñêèé ñâîä îáùèõ ðàáîò è àíòîëîãèé ïî çàðóáåæíûì ëèòåðàòóðàì. Èìåþòñÿ âñïîìîãàòåëüíûå óêàçàòåëè. Ñïðàâî÷íèê àäðåñîâàí øèðîêîìó êðóãó ÷èòàòåëåé. ÎÒ ÐÅÄÀÊÒÎÐÀ ËÈÒÅÐÀÒÓÐÀ ÄÐÅÂÍÅÉ ÃÐÅÖÈÈ ÝÏÎÑ ÃÎÌÅÐ (OMHÏOS) Èëèàäà (Iëiac) Îäèññåÿ ('Odvooeia) ÝÇÎÏ (ÀISÎÏOS. Ïðåäïîëîæèòåëüíî VI â. äî í. ý.) ËÈÐÈÊÀ ÀÐÕÈËÎÕ (ÀÏÕIËOÕOS. VII â. äî í. ý.) ÑÀÏÔÎ (SÀÏÔÎ. Ïåðâàÿ ïîëîâèíà VI â. äî í. ý.) ÀÍÀÊÐÅÎÍÒ (ÀNÀKÏÅÎN. Âòîðàÿ ïîëîâèíà VI â. äî í. ý.) ÔÅÎÊÐÈÒ (ÔÅOKÏITOS. III â. äî í. ý.) ÄÐÀÌÀ ÝÑÕÈË (ÀISÕYÀOS. 525-456 ãã. äî í. ý.) Ïðîìåòåé ïðèêîâàííûé (Ïðounôevc deouwtnc) Îðåñòåÿ (Oðeoteia) ÑÎÔÎÊË (SOÔOKËHS. 496-406 ãã. äî í. ý.) Öàðü Ýäèï (Oidiïovc tvðavvoc) Àíòèãîíà (Àvtiyovn) ÅÂÐÈÏÈÄ (ÅYÏIÏIÄHS. 480-406 ãã. äî í. ý.) Ìåäåÿ (Mndeia) Èïïîëèò (Iïïoëvtoc) Èôèãåíèÿ â Àâëèäå (Iôiyeveia nev Avëidi) ÀÐÈÑÒÎÔÀÍ (ÀÏISTOÔÀNHS. 446-385 ãã. äî í. ý.) Âñàäíèêè (Iïïnc) Ïòèöû ("Oðviôec) ÏÎÇÄÍßß ÏÐÎÇÀ ÏËÓÒÀÐÕ (ÏËOYTÀÏÕOS. Îê. 46-120 ãã. í. ý.) Ïàðàëëåëüíûå æèçíåîïèñàíèÿ (OiBioc oi ïaðaëënëa) ËÓÊÈÀÍ (ËOYKIÀNOS. Îê. 120-192 ãã. í. ý.) ËÎÍà (ËONÃOS. Ïðåäïîëîæèòåëüíî II â. í. ý.) Äàôíèñ è Õëîÿ (Ïoiuevika ta kata Äaôviv kai Õëonv) ËÈÒÅÐÀÒÓÐÀ ÄÐÅÂÍÅÃÎ ÐÈÌÀ ÒÈÒ ÌÀÊÖÈÉ ÏËÀÂÒ (TITUS MACCIUS PLAUTUS. Îê. 254-184 ãã. äî í. ý.) Àìôèòðèîí (Amphitmo) Äâà Ìåíåõìà (Menaechmi) Ñêóïîé, èëè Êëàä (Aulularia) ÏÓÁËÈÉ ÒÅÐÅÍÖÈÉ ÀÔÐ (PUBLIUS TERENTIUS AFER. Îê. 190-159 ãã. äî í. ý.) Áðàòüÿ (Adelphoe) ÌÀÐÊ ÒÓËËÈÉ ÖÈÖÅÐÎÍ (MARCUS TULLIUS CICERO. 106-43 ãã. äî í. ý.) ÒÈÒ ËÓÊÐÅÖÈÉ ÊÀÐ (TITUS LUCRECIUS CARUS. Îê. 98-55 ãã. äî í. ý.) Î ïðèðîäå âåùåé (De renim natura libri sex) ÃÀÉ ÂÀËÅÐÈÉ ÊÀÒÓËË (GA1US VALERIUS CATULLUS. Îê. 87-54 ãã. äî í. ý.) ÏÓÁËÈÉ ÂÅÐÃÈËÈÉ ÌÀÐÎÍ (PUBLIUS VERGILHJS MARO. 70-19 ãã. äî í. ý.) Áóêîëèêè (Bucolica) Ýíåèäà (Aeneis) ÊÂÈÍÒ ÃÎÐÀÖÈÉ ÔËÀÊÊ (OUINTUS HORATIUS FLACCUS. 65-8 ãã. äî í. ý.) Ñàòèðû (Satirae) Îäû (Carmina) ÏÓÁËÈÉ ÎÂÈÄÈÉ ÍÀÇÎÍ (PUBLIUS OVIDIUS NASO. 43 ã. äî í. ý. - 18 ã. í. ý.) Ìåòàìîðôîçû (Ïðåâðàùåíèÿ) (Metamorphoses) Ñêîðáíûå ýëåãèè (Tristia) ÃÀÉ ÏÅÒÃÎÍÈÉ ÀÐÁÈÒÐ (GAIUS PETRON1US ARBITER. Ãîä ðîæäåíèÿ íåèçâåñòåí - 66 ã. í. ý.) ÌÀÐÊ ÂÀËÅÐÈÉ ÌÀÐÖÈÀË (MARCUS VALERIUS MARTIALIS. Îê. 42 ã. - îê. 102 ã. í. ý.) ÄÅÖÈÌ ÞÍÈÉ ÞÂÅÍÀË (DECIMUS IUNIUS IUVENALIS. Îê. 60 ã.- îê. 127 ã. í. ý.) Ñàòèðû (Satirae) ËÞÖÈÉ ÀÏÓËÅÉ (LUC1US APULE1US. Îê. 124 ã.- îê. 180 ã. í. ý.) Ìåòàìîðôîçû (Ïðåâðàùåíèÿ), èëè Çîëîòîé îñåë (Metamorphoseon libri XI) Âèçàíòèéñêàÿ ëèòåðàòóðà Äèåãèçèñ Àêðèò (Äiyenc Àkðitoc) Íàðîäíîå òâîð÷åñòâî è ïàìÿòíèêè ñðåäíåâåêîâîé åâðîïåéñêîé ëèòåðàòóðû ÄÐÅÂÍÅÈÑËÀÍÄÑÊÀß ËÈÒÅÐÀÒÓÐÀ ÊÅËÜÒÑÊÈÉ ÝÏÎÑ ÔÈÍÑÊÈÉ ÝÏÎÑ Êàëåâàëà (Kalevala) ÀÍÃËÎÑÀÊÑÎÍÑÊÀß ÝÏÈ×ÅÑÊÀß ÏÎÝÇÈß Áåîâóëüô (Beowulf; VI-V11 ââ.) ÔÐÀÍÖÓÇÑÊÈÉ ÃÅÐÎÈ×ÅÑÊÈÉ ÝÏÎÑ Ïåñíü î Ðîëàíäå (La chanson de Roland; XI â.) ÈÑÏÀÍÑÊÈÉ ÃÅÐÎÈ×ÅÑÊÈÉ ÝÏÎÑ Ïåñíü î ìîåì Ñèäå (Ðîñòà de mio Cid) ÍÅÌÅÖÊÈÉ ÃÅÐÎÈ×ÅÑÊÈÉ ÝÏÎÑ Ïåñíü î Íèáåëóíãàõ (Das Nibelungenlied) ÀËÁÀÍÑÊÈÉ ÝÏÎÑ Ïåñíè î Ñêàíäåðáåãå ÏÅÑÍÈ ÞÆÍÛÕ ÑËÀÂßÍ ÑÊÀÍÄÈÍÀÂÑÊÀß ÍÀÐÎÄÍÀß ÁÀËËÀÄÀ (ÕØ-ÕÓââ.) ÀÍÃËÈÉÑÊÈÅ È ØÎÒËÀÍÄÑÊÈÅ ÍÀÐÎÄÍÛÅ ÁÀËËÀÄÛ (XIII-XV ââ.) ÑÐÅÄÍÅÂÅÊÎÂÀß ËÀÒÈÍÑÊÀß ËÈÒÅÐÀÒÓÐÀ ÏÎÝÇÈß ÂÀÃÀÍÒΠÐèìñêèå äåÿíèÿ (Gesta romanoum) ÏÎÝÇÈß ÒÐÓÁÀÄÓÐΠ(XI-XIV ââ.) ÏÎÝÇÈß ÌÈÍÍÅÇÈÍÃÅÐΠ(XII-XV ââ.) ÐÛÖÀÐÑÊÈÉ ÐÎÌÀÍ Ðîìàí î Òðèñòàíå è Èçîëüäå (Le roman de Tristan et Yseut) ÊÐÅÒÜÅÍ ÄÅ ÒÐÓÀ (CHRETIEN DE TROYES. Îêîëî 1135 - îêîëî 1183) Ýðåê è Ýíèäà (Åãåñ et Enide. Îêîëî 1170) Ïåðñåâàëü, èëè Ïîâåñòü î Ãðààëå (Perceval, ou Le conte du Graal. 1181-1191) "ÆÈÂÎÒÍÛÉ" ÝÏÎÑ Ðîìàí î Ëèñå (Roman de Renart. XII-XIII ââ.) Ëèòåðàòóðà íîâîãî è íîâåéøåãî âðåìåíè ËÈÒÅÐÀÒÓÐÀ ÀÂÑÒÐÀËÈÈ ÃÅÍÐÈ ËÎÓÑÎÍ (HENRY LAWSON. 1867-1922) ÊÀÒÀÐÈÍÀ ÑÓÑÀÍÍÀ ÏÐÈ×ÀÐÄ (KATHARINE SUSANNAH PRICHARD. 1884-1969) Äåâÿíîñòûå ãîäû (The roaring nineties. 1946) Çîëîòûå ìèëè (Golden miles. 1948) Êðûëàòûå ñåìåíà (Winged seeds. 1950) ÀËÀÍ ÌÀÐØÀËË (ALAN MARSHALL. 1902-1984) ÏÀÒÐÈÊ ÓÀÉÒ (PATRICK WHITE. 1912-1990) Äðåâî ÷åëîâå÷åñêîå (The tree of man. 1955) ËÈÒÅÐÀÒÓÐÀ ÀÂÑÒÐÈÈ ÔÐÀÍÖ ÃÐÈËÜÏÀÐÖÅÐ (FRANZ GRILLPARZER. 1791-1872) ÍÈÊÎËÀÓÑ ËÅÍÀÓ (NICOLAUS LENAU. 1802-1850) ÀÐÒÓÐ ØÍÈÖËÅÐ (ARTHUR SCHNITZLER 1862-1939) Çåëåíûé ïîïóãàé (Der grune Kakadu. 1899) Ïîðó÷èê Ãóñòëü (Leutnant Gustl. 1901) ÃÓÑÒÀ ÌÅÉÐÈÍÊ (GUSTAV MEYRINK. 1868-1932), Ìàéðèíê Ãîëåì (Der Golem. 1915) ÃÓÃÎ ÔÎÍ ÃÎÔÌÀÍÑÒÀËÜ (HUGO VON HOFMANNSTHAL. 1874-1929) ÐÀÉÍÅÐ ÌÀÐÈß ÐÈËÜÊÅ (RA1NER MARIA RILKE. 1875-1920) Íîâûå ñòèõîòâîðåíèÿ (Neue Gedichte. 1907-1908) Çàïèñêè Ìàëüòå Ëàóðèäñà Áðèããå (Die Aufzeichnnngen des Malte Laurids Brigge. 1910) ÐÎÁÅÐÒ ÌÓÇÈËÜ (ROBERT MUSIL. 1880-1942) ×åëîâåê áåç ñâîéñòâ (Der Mann ohne Eigenschaften. 1924-1942) ÔÐÀÍÖ ÊÀÔÊÀ (FRANZ KAFKA. 1883-1924) Ïðîöåññ (Der Prozess. 1914) Çàìîê (Das Schloss. 1921-1922) ÑÒÅÔÀÍ ÖÂÅÉà (STEFAN ZWEIG. 1881-1942) Ïîäâèã Ìàãåëëàíà (Magellan. Der Mann und seine Tat. 1938) Íåòåðïåíèå ñåðäöà (Ungeduld des Herzens. 1939) Íîâåëëû Çâåçäíûå ÷àñû ÷åëîâå÷åñòâà (Sternstunden der Menschheit. 1928) ÔÐÀÍÖ ÂÅÐÔÅËÜ (FRANZ WERFEL. 1890-1945) Âåðäè (Verdi. 1924) ÉÎÇÅÔ POT (JOSEPH ROTH. 1894-1939) Ìàðø Ðàäåöêîãî (Radetzkymarsch. 1932) ÝËÈÀÑ ÊÀÍÅÒÒÈ (ELIAS CANETT1. 1905-1995) Îñëåïëåíèå (Die Blendung. 1935) ËÈÒÅÐÀÒÓÐÀ ÁÅËÜÃÈÈ ØÀÐËÜ ÄÅ ÊÎÑÒÅÐ (CHARLES DE COSTER. 1827-1879) Ëåãåíäà îá Óëåíøïèãåëå (La legende d'Ulenspiegel. 1867) ÊÀÌÈËË ËÅÌÎÍÜÅ (CAMILLE LEMONNIER. 1844-1913) Ñàìåö (Un male. 1881) ÝÌÈËÜ BEPXAPH (EMILE VERHAEREN. 1855-1916) ÌÎÐÈÑ ÌÅÒÅÐËÈÍÊ (MAURICE MAETERLINCK. 1862-1949) Ñèíÿÿ ïòèöà (L'oisean bleu. 1908) ÂÈËËÅÌ ÝËÑÕÎÒ (WILLEM ELSSCHOT. 1882-1960) Âèëëà ðîç (Villa des roses. 1913) Ñèëêè (Lijmen. 1924) Áëóæäàþùèé îãîíåê (Het dwaallicht. 1947) ÌÈØÅËÜ ÄÅ ÃÅËÜÄÅÐÎÄ (M1CHEL DE GHELDERODE. 1896-1962) Ýñêîðèàë (Escurial. 1927) Âàðàââà (Barrabas. 1928) Ïàíòàãëåéç (Pantagleize. 1930) ËÈÒÅÐÀÒÓÐÀ ÁÎËÃÀÐÈÈ ËÞÁÅÍ ÊÀÐÀÂÅËΠ(ËÞÁÅÍ ÊÀÐÀÂÅËÎÂ. 1834-1879) Áîëãàðû ñòàðîãî âðåìåíè (Áúëãàðè îò ñòàðî âðåìå. 1867) ÕÐÈÑÒÎ ÁÎÒÅ (ÕÐÈÑÒÎ ÁÎÒÅ 1849-1876) Ñòèõîòâîðåíèÿ ÈÂÀÍ ÂÀÇΠ(ÈÂÀÍ ÂÀÇÎÂ. 1850-1921) Ýïîïåÿ çàáûòûõ (Åïîïåÿ íà çàáðàâåíèòå. 1881-1884) Ïîä èãîì (Ïîä èãîòî. 1889) ÀËÅÊÎ ÊÎÍÑÒÀÍÒÈÍΠ(ÀËÅÊÎ ÊÎÍÑÒÀÍÒÈÍÎÂ. 1863-1897) Áàé Ãàíþ (Áàé Ãàíþ. 1895) ÏÅÍ×Î ÑËÀÂÅÉÊΠ(ÏÅÍ×Î ÑËÀÂÅÉÊÎÂ. 1866-1912) ÀÍÒÎÍ ÑÒÐÀØÈÌÈÐΠ(ÀÍÒÎÍ ÑÒÐÀØÈÌÈÐÎÂ. 1872-1937) Õîðîâîä (Õîðî. 1926) ÏÅÉÎ ßÂÎÐΠ(ÏÅÉÎ ßÂÎÐÎÂ. 1878-1914) Ó ïîäíîæèÿ Âèòîøè ( ïîëèòå íà Âèòîøà. 1911) ÅËÈÍ ÏÅËÈÍ (ÅËÈÍ ÏÅËÈÍ. 1878-1949) Ãåðàêîâû.- Çåìëÿ (Ãåðàöèòå. 1904.- Çåìÿ. 1922) ÈÎÐÄÀÍ ÉÎÂÊΠ(ÈÎÐÄÀÍ ÉÎÂÊÎÂ. 1880-1937) Ñòàðîïëàíèíñêèå ëåãåíäû (Ñòàðîïëàíèíñêè ëåãåíäè. 1927) ËÞÄÌÈË ÑÒÎßÍΠ(ËÞÄÌÈË ÑÒÎßÍÎÂ. 1888-1973) Õîëåðà (Õîëåðà. 1935) ÃÅÎ ÌÈËÅ (ÃÅÎ ÌÈËÅÂ. 1895-1925) Ñåíòÿáðü (Ñåïòåìâðè. 1925) ÕÐÈÑÒÎ ÑÌÈÐÍÅÍÑÊÈÉ (ÕÐÈÑÒÎ ÑÌÈÐÍÅÍÑÊÈ. 1898-1923) ÍÈÊÎËÀ ÂÀÏÖÀÐΠ(ÍÈÊÎËÀ ÂÀÏÖÀÐÎÂ. 1909-1942) ÄÈÌÈÒÐ ÄÈÌΠ(ÄÈÌÈÒÜÐ ÄÈÌÎÂ. 1909-1966) Òàáàê (Òþòþí. 1-ÿ ðåä.- 1951 ã., 2-ÿ - 1953 ã.) ÏÀÂÅË ÂÅÆÈÍΠ(ÏÀÂÅË ÂÅÆÈÍÎÂ. 1914-1983) Íî÷üþ íà áåëûõ êîíÿõ (Íîùåì ñ áåëèòå êîíå. 1975) ËÈÒÅÐÀÒÓÐÀ ÂÅËÈÊÎÁÐÈÒÀÍÈÈ ÄÆÅÔÔÐÈ ×ÎÑÅÐ (GEOFFREY CHAUCER. 1340-1400) Êåíòåðáåðèéñêèå ðàññêàçû (Canterbury tales. 1386-I389) ÒÎÌÀÑ ÌÝËÎÐÈ (THOMAS MALORY. Ãîä ðîæäåíèÿ íåèçâåñòåí - 1471) Ñìåðòü Àðòóðà (Le morte Darthur. 1485) ÒÎÌÀÑ ÌÎÐ (THOMAS MORE. 1478-1535) Óòîïèÿ (Utopia. 1516) ÔÈËÈÏ ÑÈÄÍÈ (PHILIP SIDNEY. 1554-1586) ÊÐÈÑÒÎÔÅÐ ÌÀÐËÎ (CHRISTOPHER MARLOWE. 1564-1593) Òðàãè÷åñêàÿ èñòîðèÿ äîêòîðà Ôàóñòà (The tragical history of the life and death of Doctor Faustus. 1589) ÓÈËÜßÌ ØÅÊÑÏÈÐ (WILLIAM SHAKESPEARE. 1564-1616) Ðè÷àðä III (Richard IIII. 1592) Óêðîùåíèå ñòðîïòèâîé (The taming of the shrew. 1593) Ðîìåî è Äæóëüåòòà (Romeo and Juliet. 1594) Âåíåöèàíñêèé êóïåö (The merchant of Venice. 1596) Ãåíðèõ IV (King Henry IV. 1597) Âèíäçîðñêèå íàñìåøíèöû (The merry wives of Windsor. 1597) Þëèé Öåçàðü (Julius Caesar. 1599) Äâåíàäöàòàÿ íî÷ü (Twelfth night, or What you will. 1600) Ãàìëåò (Hamlet, prince of Denmark. 1601) Îòåëëî (The tragedy of Othello the moor of Venice. 1604) Ìàêáåò (Macbeth. 1605) Êîðîëü Ëèð (King Lear. 1606) Áóðÿ (The tempest. 1611) Ñîíåòû (Sonnets. 1609) ÄÆÎÍ ÄÎÍÍ (JOHN DONNE. 1572-1631) ÁÅÍ ÄÆÎÍÑÎÍ (BEN JONSON. 1573-1637) Âîëüïîíå (Volpone, or the Fox. 1605) ÄÆÎÍ ÌÈËÜÒÎÍ (JOHN MILTON. 1608-1674) Ïîòåðÿííûé ðàé (Paradise lost. 1663) ÄÆÎÍ ÁÅÍÜßÍ (JOHN BUNYAN. 1628-1688) Ïóòü ïàëîìíèêà (The pilgrim's progress. 1675-1684) ÄÀÍÈÝËÜ ÄÅÔÎ (DANIEL DEFOE. 1661-1731) Ðîáèíçîí Êðóçî (Robinson Crusoe. 1719) Ìîëëü Ôëåíäåðñ (Moll Flanders. 1722) ÄÆÎÍÀÒÀÍ ÑÂÈÔÒ (JONATHAN SWIFT. 1667-1745) Ïóòåøåñòâèÿ Ãóëëèâåðà (Gulliver's travels. 1726) ÃÅÍÐÈ ÔÈËÄÈÍà (HENRY FIELDING. 1707-1754) Èñòîðèÿ ïðèêëþ÷åíèé Äæîçåôà Ýâäðóñà è åãî äðóãà ìèñòåðà Àáðààìà Àäàìñà Èñòîðèÿ Òîìà Äæîíñà, íàéäåíûøà (The history of Tom Jones, a foundling. 1749) ËÎÐÅÍÑ ÑÒÅÐÍ (LAURENCE STERNE. 1713-1768) Æèçíü è ìíåíèÿ Òðèñòðàìà Øåíäè (The life and opinions of Tristram Shandy. 1760-1767) Ñåíòèìåíòàëüíîå ïóòåøåñòâèå (A sentimental journey. 1768) ÒÎÁÀÉÀÑ ÄÆÎÐÄÆ ÑÌÎËËÅÒ (TOBIAS GEORGE SMOLLETT. 1721-1771) Ïðèêëþ÷åíèÿ Ðîäåðèêà Ðýíäîìà (The adventures of Roderick Random. 1748) Ïðèêëþ÷åíèÿ Ïåðåãðèíà Ïèêëÿ (The adventures of Peregrine Pickle. 1751) Ïóòåøåñòâèå Õàìôðè Êëèíêåðà (The expedition of Humphry Clinker. 1771) ÎËÈÂÅÐ ÃÎËÄÑÌÈÒ (OLIVER GOLDSMITH. 1728-1774) Âåêôèëüäñêèé ñâÿùåííèê (The vicar of Wakefield. 1766) ÄÆÅÉÌÑ ÌÀÊÔÅÐÑÎÍ (JAMES MACPHERSON 1736-1796) Ïîýìû Îññèàíà (The poems of Ossian. 1760-1765) ÐÈ×ÀÐÄ ÁÐÈÍÑËÈ ØÅÐÈÄÀÍ (RICHARD BRINSLBY SHERIDAN. 1751-1816) Øêîëà çëîñëîâèÿ (School for scandal. 1777) "ÃÎÒÈ×ÅÑÊÈÉ" ÐÎÌÀÍ Çàìîê Îòðàíòî (The castle of Otranto. 1765) Ìîíàõ (The monk. 1795 èëè 1796) Ôðàíêåíøòåéí, èëè Ñîâðåìåííûé Ïðîìåòåé (Frankenstein, or The modem Prometheus. 1818) Ìåëüìîò Ñêèòàëåö (Melmoth the Wanderer. 1820) ÓÈËÜßÌ ÃÎÄÂÈÍ (WILLIAM GODWIN. 1756-1836) Êàëåá Óèëüÿìñ (The adventures of Caleb Williams, or Things as they are. 1794) ÓÈËÜßÌ ÁËÅÉÊ (WILLIAM BLAKE. 1757-1827) ÐÎÁÅÐÒ ÁÅÐÍÑ (ROBERT BURNS. 1759-1796) ÓÈËÜßÌ ÂÎÐÄÑÂÎÐÒ (WILLIAM WORDSWORTH 1770-1850) ÂÀËÜÒÅÐ ÑÊÎÒÒ (WALTER SCOTT. 1771-1832) Ïóðèòàíå (Old Mortality. 1816) Ðîá Ðîé (Rob Roy. 1817) Ýäèíáóðãñêàÿ òåìíèöà (The heart of Midlothian. 1818) Àéâåíãî (Ivanhoe. 1819) Êâåíòèí Äîðâàðä (Quentin Diirward. 1823) ÑÝÌÞÝËÜ ÒÅÉËÎÐ ÊÎËÜÐÈÄÆ (SAMUEL TAYLOR COLERIDGE. 1772-1834) Ñêàçàíèå î Ñòàðîì Ìîðåõîäå (The rime of the Ancient Mariner. 1797-1798) ÄÆÅÉÍ ÎÑÒÅÍ (JANE AUSTEN. 1775-1817) Ãîðäîñòü è ïðåäóáåæäåíèå (Pride and prejudice. 1796-1797) ÄÆÎÐÄÆ ÍÎÝË ÃÎÐÄÎÍ ÁÀÉÐÎÍ (GEORGE NOEL GORDON BYRON. 1788-1824) Ïàëîìíè÷åñòâî ×àéëüä Ãàðîëüäà (Childe Harold's pilgrimage. 1812-1818) Ìàíôðåä (Manfred. 1817) Áåïïî (Âåððî. 1818) Äîí Æóàí (Don Juan. 1818-1823) Êàèí (Cain. 1821) Ëèðèêà ÏÅÐÑÈ ÁÈØÈ ØÅËËÈ (PERCY BISSHE SHELLEY. 1792-1822) Îñâîáîæäåííûé Ïðîìåòåé (Prometheus unbound. 1820) ×åí÷è (The Cenci. 1819) Ëèðèêà ÄÆÎÍ ÊÈÒÑ (JOHN KEATS. 1795-1821) ÒÎÌÀÑ ÃÓÄ (THOMAS HOOD. 1799-1845) ÝÄÓÀÐÄ ÄÆÎÐÄÆ ÁÓËÂÅÐ-ËÈÒÒÎÍ (EDWARD GEORGE BULWER-LYTTON. 1803-1873) Êåíåëì ×èëëèíãëè, åãî ïðèêëþ÷åíèÿ è âçãëÿäû íà æèçíü ÝËÈÇÀÁÅÒ ÃÀÑÊÅËË (ELIZABETH GASKELL 1810-1865) Ìýðè Áàðòîí (Mary Barton. 1848) ÓÈËÜßÌ ÌÅÉÊÏÈÑ ÒÅÊÊÅÐÅÉ (WILLIAM MAKEPEACE THACKERAY. 1811-1863) ßðìàðêà òùåñëàâèÿ (Vanity fair. 1848) Èñòîðèÿ Ãåíðè Ýñìîâäà (Henry Esmond. 1852) Íüþêîìû (The Newcomes. 1855) ×ÀÐËÜÇ ÄÈÊÊÅÍÑ (CHARLES DICKENS. 1812-1870) Çàïèñêè Ïèêâèêñêîãî êëóáà (The Pickwick papers. 1836) Îëèâåð Òâèñò (Oliver Twist. 1837) Íèêîëàñ Íèêëüáè (Nicholas Nickleby. 1838) Ëàâêà äðåâíîñòåé (The old curiosity shop. 1839) Ìàðòèí ×åçëâèò (Martin Chuzzlewit. 1843) Ðîæäåñòâåíñêèå ðàññêàçû (Christmas books. 1843-1848) Äîìáí è ñûí (Dombey and son. 1847) Äýââä Êîïïåðôèëüä (David Copperfield. 1850) Õîëîäíûé äîì (Bleak house. 1852) Òÿæåëûå âðåìåíà (Hard times. 1854) Êðîøêà Äîððèò (Little Dorrit. 1855) Áîëüøèå íàäåæäû (Great expectations. 1860) ÐÎÁÅÐÒ ÁÐÀÓÍÈÍà (ROBERT BROWNING. 1812-1889) ÝÍÒÎÍÈ ÒÐÎËËÎÏ (ANTHONY TROLLOPE 1815-1882) Áàð÷åñòåðñêèå áàøíè (Barchester towers. 1857) ØÀÐËÎÒÒÀ ÁÐÎÍÒÅ (CHARLOTTE BRONTE. 1816-1856) Äæåéí Ýéð (Jane Eyre. 1847) ÝÌÈËÈ ÁÐÎÍÒÅ (EMILY BRONTE. 1818-1848) Ãðîçîâîé ïåðåâàë (Wuthering heights. 1848) ÒÎÌÀÑ ÌÀÉÍ ÐÈÄ (THOMAS MAYNE REID. 1818-1883) Âñàäíèê áåç ãîëîâû (The headless horseman. 1866) äæîðäæ ÝËÈÎÒ (GEORGE ELIOT. 1819-1880) Ìåëüíèöà íà Ôëîññå (The mill on the Floss. 1860) Ìèääëìàð÷ (Middlemarch. 1871-1872) ÓÈËÊÈ ÊÎËËÈÍÇ (WILK1E COLLINS. 1824-1889) Æåíùèíà â áåëîì (The woman in white. 1860) Ëóííûé êàìåíü (The moonstone. 1868) ÄÆÎÐÄÆ ÌÅÐÅÄÈÒ (GEORGE MEREDITH. 1828-1909) ËÜÞÈÑ ÊÝÐÐÎËË (LEWIS CARROLL. 1832-1898) ÑÝÌÞÝËÜ ÁÀÒËÅÐ (SAMUEL BUTLER. 1835-1902) Æèçíåííûé ïóòü (The way of all flesh. 1903) ÒÎÌÀÑ ÕÀÐÄÈ (THOMAS HARDY. 1840-1928) Òýññ èç ðîäà ë'Ýðáåðâèëëåé (Tess of the d'Urbervilles. 1891) Äæóä Íåçàìåòíûé (Jude the Obscure. 1896) ÐÎÁÅÐÒ ËÓÈÑ ÑÒÈÂÅÍÑÎÍ (ROBERT LEWIS STEVENSON. 1850-1894) Îñòðîâ ñîêðîâèù (Treasure island. 1883) Íåîáû÷àéíàÿ èñòîðèÿ äîêòîðà Äæåêèëà è ìèñòåðà Õàéäà (The strange case of Dr. Jekyll and Mr. Hyde. 1886) ÎÑÊÀÐ ÓÀÉËÜÄ (OSCAR WILDE. 1856-1900) Ñêàçêè Ïîðòðåò Äîðèàíà Ãðåÿ (The picture of Dorian Gray. 1890) Èäåàëüíûé ìóæ (The ideal husband. 1895) ÃÅÐÁÅÐÒ ÄÆÎÐÄÆ ÓÝËËÑ (HERBERT GEORGE WELLS. 1856-1946) Ìàøèíà âðåìåíè (The time machine. 1895) ×åëîâåê-íåâèäèìêà (The invisible man. 1897) Âîéíà ìèðîâ (The war of the worlds. 1898) Ïèùà áîãîâ (The food of the gods. 1904) Ìèñòåð Áëåòñóîðòè íà îñòðîâå Ðýìïîë (Mr. Blettsworthy on Rampole Island. 1928) Îáëèê ãðÿäóùåãî (Things to come. 1933) ÄÆÎÐÄÆ ÁÅÐÍÀÐÄ ØÎÓ (GEORGE BERNARD SHAW 1856-1950) Äîìà âäîâöà (Widower's houses. 1892) Ïðîôåññèÿ ìèññèñ Óîððåí (Mrs. Warren's profession. 1893) Êàíäèäà (Candida. 1894) Ó÷åíèê äüÿâîëà (The devil's disciple. 1897) Öåçàðü è Êëåîïàòðà (Caesar and Cleopatra. 1910) Ïèãìàëèîí (Pygmalion. 1912) Äîì, ãäå ðàçáèâàþòñÿ ñåðäöà (Heartbreak house. 1917) ÄÆÎÇÅÔ ÊÎÍÐÀÄ (JOSEPH CONRAD. 1857-1924) ÀÐÒÓÐ ÊÎÍÀÍ ÄÎÉË (ARTHUR CONAN DOYLE. 1859-1930) ÝÒÅËÜ ËÈËÈÀÍ ÂÎÉÍÈ× (ETHEL LILIAN VOYNICH. 1864-1960) Îâîä (The Gadfly. 1897) ÐÅÄÜßÐÄ ÊÈÏËÈÍà (RUDYARD KIPLING. 1865-1936) Ñâåò ïîãàñ (The light that failed. 1891) Êíèãà äæóíãëåé (The Jungle book. 1894-1895) ÄÆÎÍ ÃÎËÑÓÎÐÑÈ (JOHN GALSWORTHY. 1867-1933) Îñòðîâ ôàðèñååâ (The island pharisees. 1904) Ñàãà î Ôîðñàéòàõ (The Forsyte saga. 1906-1921) Ñîâðåìåííàÿ êîìåäèÿ (A modern comedy. 1924-1938) ÓÈËÜßÌ ÑÎÌÅÐÑÅÒ ÌÎÝÌ (WILLIAM SOMERSET MAUGHAM 1874-1965) Áðåìÿ ñòðàñòåé ÷åëîâå÷åñêèõ (Of human bondage. 1915) Ëóíà è ãðîø (The moon and sixpence. 1919) ÃÈËÁÅÐÒ ÊÈÉÒ ×ÅÑÒÅÐÒÎÍ (GILBERT KEITH CHESTERTON. 1874-1936) ÝÄÂÀÐÄ ÌÎÐÃÀÍ ÔÎÐÑÒÅÐ (EDWARD MORGAN FORSTER. 1879-1970) Ïîåçäêà â Èíäèþ (A passage to India. 1924) ÂÈÐÄÆÈÍÈß ÂÓËÔ (VIRGINIA WOOLF. 1882-1941) Ìèññèñ Äýëëîóýé (Mrs. Dalloway. 1925) Íà ìàÿê (Òî the lighthouse. 1927) ÄÝÂÈÄ ÃÅÐÁÅÐÒ ËÎÓÐÅÍÑ (DAVID HERBERT LAWRENCE. 1885-1930) Ñûíîâüÿ è ëþáîâíèêè (Sons and lovers. 1913) Ðàäóãà (The rainbow. 1915) Ëþáîâíèê ëåäè ×àòòåðëè (Lady Chatterley's lover. 1928) ÄÆÎÉÑ ÊÝÐÈ (JOYCE CARY. 1888-1957) Èç ïåðâûõ ðóê (The horse's mouth. 1944) Èç ëþáâè ê áëèæíåìó (The prisoner of grace. 1952) ÒÎÌÀÑ ÑÒÅÐÍÑ ÝËÈÎÒ (THOMAS STEARNS ELIOT. 1888-1965) ÐÈ×ÀÐÄ ÎËÄÈÍÃÒÎÍ (RICHARD ALDINGTON 1892-1962) Ñìåðòü ãåðîÿ (Death of a hero. 1929) ÄÆÎÍ ÐÎÍÀËÜÄ ÐÓÝË ÒÎËÊÈÅÍ (JOHN RONALD REUEL TOLKIEN 1892-1973) Âëàñòåëèí êîëåö: Õðàíèòåëè; Äâå òâåðäûíè; Âîçâðàùåíèå ãîñóäàðÿ (The lord of the rings: The fellowship of the ring; The two towers; The return of the king. 1954-1955) ÄÆÎÍ ÁÎÉÍÒÎÍ ÏÐÈÑÒËÈ (JOHN BOYNTON PRIESTLEY. 1894-1984) ÎËÄÎÑ ÕÀÊÑËÈ (ALDOUS HUXLEY. 1894-1963) Êîòðàïóíêò (Point counter point. 1928) ÐÎÁÅÐÒ ÃÐÅÉÂÇ (ROBERT GRAVES. 1895-1985) ÄÆÎÐÄÆ ÎÐÓÝËË (GEORGE ORWELL. 1903-1950) ÈÂËÈÍ ÂÎ (EVELYN WAUGH. 1903-1966) Ïðèãîðøíÿ ïðàõà (A handful of dust. 1934) Âîçâðàùåíèå â Áðàéäñõåä (Brideshead revisited. 1945) ÃÐÝÌ ÃÐÈÍ (GRAHAM GREENE 1904-1991) Ñèëà è ñëàâà (The power and the glory. 1940) Ïî÷åòíûå êîíñóë (The honorary consul. 1973) ÓÈËÜßÌ ÃÎËÄÈÍà (WILLIAM GOLDING. 1911-1993) Ïîâåëèòåëü ìóõ (Lord of the flies. 1954) Øïèëü (The spire. 1964) Ðèòóàëû íà ìîðå (Rites of passage. 1980) ÄÈËÀÍ ÒÎÌÀÑ (DYLAN THOMAS. 1914-1953) Ñîáðàíèå ñòèõîòâîðåíèé. 1934-1952 (Collected poems. 1934-1952. 1952) ÄÆÎÍ ÎÑÁÎÐÍ (JOHN OSBORNE. 1929-1994) Îãëÿíèñü âî ãíåâå (Look back in anger. 1956) ËÈÒÅÐÀÒÓÐÀ ÂÅÍÃÐÈÈ ÌÈÕÀÉ ÂÅÐÅØÌÀÐÒÈ (VOROSMARTY MIHALY. 1800-1855) ßÍÎØ APAHÈ (ARANY JANOS. 1817-1882) Òîëäè (Toldi. 1846-1879) ØÀÍÄÎÐ ÏÅÒÅÔÈ (PETOFI SANDOR. 1823-1849) Âèòÿçü ßíîø (Janos vitez. 1844) Òèãð è ãèåíà (Tigris es hiena. 1846) Ñûíîâüÿ ÷åëîâåêà ñ êàìåííûì ñåðäöåì (A koszivu ember fiai 1869) Âåíãåðñêèé íàáîá (Egy magyar nabob. 1853) Æåëòàÿ ðîçà (Sarga rozsa. 1895) ÈÌÐÅ ÌÀÄÀ× (MADACH IMRE. 1823-1864) Òðàãåäèÿ ÷åëîâåêà (Az ember tragediaja. 1861) ÊÀËÜÌÀÍ ÌÈÊÑÀÒ (MIKSZATH KALMAN. 1847-1910) Ñòðàííûé áðàê (Kulonos hazassag. 1900) ÃÅÇÀ ÃÀÐÄÎÍÈ (GARDONYI GEZA. 1863-1922) ÝÂÄÐÅ ÀÄÈ (ADY ENDRE. 1877-1919) ÆÈÃÌÎÍÄ ÌÎÐÈÖ (MORICZ ZSIGMOND. 1879-1942) Ðîäñòâåííèêè (Rokonok. 1930) Áàðñêèå çàòåè (Uri muri. 1927-1928) ÒÈÁÎÐ ÄÅÐÈ (DERY TIBOR. 1894-1977) Íåçàêîí÷åííàÿ ôðàçà (A befegezetlen mondat. 1947) ËÀÑËÎ ÍÅÌÅÒ (NEMETH LASZLO. 1901-1975) Ìèëîñåðäèå (Irgalom. 1965) ÄÜÞËÀ ÈÉÅØ (ILLYES GYULA. 1902-1983) Ïàæè Áåàòðè÷å (Beatrice aprodjai. 1979) ÀÒÒÈËÀ ÉÎÆÅÔ (JOZSEF ATTILA. 1905-1937) ËÈÒÅÐÀÒÓÐÀ ÃÅÐÌÀÍÈÈ ÂÀËÜÒÅÐ ÔÎÍ ÄÅÐ ÔÎÃÅËÜÂÅÉÄÅ (WALTHER VON DER VOGELWEIDE. Îê. 1170-1230) ÑÅÁÀÑÒÈÀÍ ÁÐÀÍÒ (SEBASTIAN BRANDT. 1457-1521) Êîðàáëü äóðàêîâ (Das Narrenschiff. 1494) ÓËÜÐÈÕ ÔÎÍ ÃÓÒÒÅÍ (ULRICH VON HUTTEN. 1488-1523) Ïèñüìà òåìíûõ ëþäåé (Epistolae obscurorum virorum. 1515-1517) ÃÀÍÑ ÑÀÊÑ (HANS SACHS. 1494-1576) Ôþíçèíãåíñêèé êîíîêðàä (Der Rossdieb zu Funsing. 1553) ÃÀÍÑ ßÊÎÁ ÊÐÈÑÒÎÔ ÃÐÈÌÌÅËÜÑÃÀÓÇÅÍ (HANS JAKOB CHRISTOFFEL VON GRIMMELSHAUSEN. 1622-1676) Ïîõîæäåíèÿ Ñèìïëèöèññèìóñà (Der abenteuerliche Simplicissimus. 1669) ÃÎÒÕÎËÜÄ ÝÔÐÀÈÌ ËÅÑÑÈÍà (GOTTHOLD EPHRAIM LESSING. 1729-1781) Ìèííà ôîí Áàðíõåëüì (Minna von Barnhelm. 1767) Ýìèëèÿ Ãàëîòòè (Emilia Galotti. 1772) Íàòàí Ìóäðûé (Nathan der Weise. 1779) ÃÎÒÔÐÈÄ ÀÂÃÓÑÒ ÁÞÐÃÅÐ (GOTTFRIED AUGUST BURGER. 1747-1794) ÈÎÃÀÍÍ ÂÎËÜÔÃÀÍà èÒÅ (JOHANN WOLFGANG GOETHE. 1748-1832) Ñòèõîòâîðåíèÿ Ãåö ôîí Áåðëèõèíãåí ñ æåëåçíîé ðóêîé (Gotz von Berlichingen mit der eisernen Hand. 1773) Ñòðàäàíèÿ þíîãî Âåðòåðà (Die Leiden des jungen Werthers. 1774) Ýãìîíò (Egmont. 1788) Ðåéíåêå Ëèñ (Remeke Fuchs. 1794) Ãîäû ó÷åíèÿ Âèëüãåëüìà Ìåéñòåðà (Wilhelm Meisters Lehrjahre. 1795-1796) Ãîäû ñòðàíñòâèé Âèëüãåëüìà Ìåéñòåðà (Wilhelm Meisters Wanderjahre. 1829) Ôàóñò (Faust. 1806-1832) ÔÐÈÄÐÈÕ ØÈËËÅÐ (FRIEDRICH SCHILLER. 1759-1805) Ðàçáîéíèêè (Die Rauber. 1781) Êîâàðñòâî è ëþáîâü (Kabale und Liebe. 1784) Äîí Êàðëîñ (Don Karlos. Infant von Spanien. 1787) Âàëëåíøòåéí (Wallenstein. 1800) Ìàðèÿ Ñòþàðò (Maria Stuart. 1801) Îðëåàíñêàÿ äåâà (Die Jungfrau von Orleans. 1802) Âèëüãåëüì Òåëëü (Wilhelm Tell. 1804) Ñòèõîòâîðåíèÿ ÔÐÈÄÐÈÕ ÃÅËÜÄÅÐËÈÍ (FRIEDRICH HOLDERLIN. 1770-1843) Ãèïåðèîí (Hyperion. I797-1799) ÍÎÂÀËÈÑ (NOVALIS. 1772-1801) Ãåíðèõ ôîí Îôòåðäèíãåí (Heinrich von Ofterdingen. 1802) ËÞÄÂÈà ÒÈÊ (LUDWIG TIECK. 1773-1853) Áåëîêóðûé Ýêáåðò (Der blonde Eckbert. 1796) ÃÅÍÐÈÕ ÔÎÍ ÊËÅÉÑÒ (HEINRICH VON KLEIST. 1777-1811) Ðàçáèòûé êóâøèí (Der zerbrochene Krug. 1808) Ìèõàåëü Êîëüõààñ (Michael Kohlhaas. 1810) ÝÐÍÑÒ ÒÅÎÄÎÐ ÀÌÀÄÅÉ ÃÎÔÌÀÍ (ERNST THEODOR AMADEI HOFFMANN. 1776-1822) Çîëîòîé ãîðøîê (Der goldene Topf. 1815) Êðîøêà Öàõåñ ïî ïðîçâàíèþ Öèííîáåð (Klein Zaches genannt Zinnober. 1819) Ñåðàïèîíîâû áðàòüÿ (Die Serapionsbruder. 1819-1821) Çàïèñêè êîòà Ìóððà (Lebensansichten des Katers Murr. 1820-1822) ÊËÅÌÅÍÑ ÁÐÅÍÒÀÍÎ (CLEMENS BRENTANO. 1778-1842) ÀÕÈÌ ÔÎÍ ÀÐÍÈÌ (ACHIM VON ARNIM. 1781-1831) Âîëøåáíûé ðîã ìàëü÷èêà (Des Knaben Wunderhorn. 1806-1808) ÀÄÅËÜÁÅÐÒ ÔÎÍ ØÀÌÈÑÑÎ (ADELBERT VON CHAMISSO. 1781-1836) ßÊÎÁ ÃÐÈÌÌ È ÂÈËÜÃÅËÜÌ ÃÐÈÌÌ (JAKOB GRIMM. 1785-1863; WILHELM GRIMM. (1786-1858) ÂÈËÜÃÅËÜÌ ÃÀÓÔ (WILHELM HAUFF. 1802-1827) ÃÅÍÐÈÕ ÃÅÉÍÅ (HEINRICH HEINE 1797-1856) Êíèãà ïåñåí (Buch der Lieder. 1827) Ïóòåâûå êàðòèíû (Reisebilder 1824-1831) Àòòà Òðîëëü (Atta Troll. 1843) Ãåðìàíèÿ. Çèìíÿÿ ñêàçêà (Deutschland. Ein Wintermarchen. 1844) Ñîâðåìåííûå ñòèõîòâîðåíèÿ (Zeitgedichte. 1839-1846) Ðîìàíñåðî (Romanzero. 1851) ÃÅÎÐà ÁÞÕÍÅÐ (GEORG BUCHNER. 1813-1837) Ñìåðòü Äàíòîíà (Dantons Tod. 1835) ÃÅÎÐà ÂÅÅÐÒ (GEORG WEERTH. 1822-1856) ÒÅÎÄÎÐ ØÒÎÐÌ (THEODOR STORM. 1817-1888) ÏÐÎÏÓÑÊ ÑÒÐÀÍÈÖ Â ÊÍÈÃÅ [............] ËÈÒÅÐÀÒÓÐÀ ÑØÀ ÂÀØÈÍÃÒÎÍ ÈÐÂÈÍà (WASHINGTON IRVING. 1783-1859) Èñòîðèÿ Íüþ-Éîðêà (A history of New York, from the beginning of the world to the end of the Dutch dynasty, by Diedrich Knickerbocker. 1809) Êíèãà ýñêèçîâ (The sketch-book. 1819-1820) ÄÆÅÉÌÑ ÔÅÍÈÌÎÐ ÊÓÏÅÐ (JAMES FENIMORE COOPER. 1789-1851) Øïèîí (The spy. 1821) Ïèîíåðû (The pioneers, or The sources of the Susquehanna. 1823) Ïîñëåäíèé èç ìîãèêàí (The last of the Mohicans. 1826) Ìîíèêèíû (The Monikins. 1835) Ñëåäîïûò (The pathfinder. 1840) Çâåðîáîé (The deerslayer. 1841) ÍÀÒÀÍÈÝË XOTOPH (NATHANIEL HAWTHORNE. 1804-1864) Íîâåëëû Àëàÿ áóêâà (The scarlet letter. 1850) ÃÅÍÐÈ ÓÎÄÑÂÎÐÒ ËÎÍÃÔÅËËÎ (HENRY WADSWORTH LONGFELLOW. 1807-1882) ÝÄÃÀÐ ÀËËÀÍ ÏÎ (EDGAR ALLAN ÐÎÅ. 1809-1849) ÃÀÐÐÈÝÒ ÁÈ×ÅÐ-ÑÒÎÓ (HARRIET BEECHER STOWE. 1811-1896) Õèæèíà äÿäè Òîìà (Uncle Tom's cabin. 1852) ÃÅÍÐÈ ÄÝÂÈÄ ÒÎÐÎ (HENRY DAVID THOREAU. 1817-1862) Óîëäåí, èëè Æèçíü â ëåñó (Walden, or Life in the woods. 1854) ÃÅÐÌÀÍ ÌÅËÂÈËË (HERMAN MELVILLE. 1819-1891) Òàéïè (Òóðåå. 1846) Ìîáè Äèê, èëè Áåëûé Êèò (Moby Dick, or The White Whale. 1851) ÓÎËÒ ÓÈÒÌÅÍ (WALT WHITMAN. 1819-1892) ÝÌÈËÈ ÄÿÈÊÈÍÑÎÍ (EMILY DICKINSON. 1830-1886) ÌÀÐÊ ÒÂÅÍ (MARK TWAIN. 1835-1910) Ïðèêëþ÷åíèÿ Òîìà Ñîéåðà (The adventures of Tom Sawyer. 1876) Ïðèêëþ÷åíèÿ Ãåêëüáåððè Ôèííà (The adventures of Huckleberry Finn. 1884) Ïðèíö è íèùèé (The prince and the pauper. 1881) ßíêè ïðè äâîðå êîðîëÿ Àðòóðà (A Connecticut Yankee in King Arthur's court. 1893) ÔÐÅÍÑÈÑ ÁPÅT ÃÀÐÒ (FRANCIS BRET HARTE. 1839-1902) ÀÌÁÐÎÇ ÁÈÐÑ (AMBROSE BIERCE. 1842-1914?) ÃÅÍÐÈ ÄÆÅÉÌÑ (HENRY JAMES. 1843-1916) Î.ÃÅÍÐÈ (O.HENRY. 1862-1910) ÔÐÝÍÊ ÍÎÐÐÈÑ (FRANK NORR1S. 1870-1902) Ñïðóò (Octopus. 1900) ÑÒÈÂÅÍ ÊÐÅÉÍ (STEPHEN CRANE. 1871-1900) ÒÅÎÄÎÐ ÄÐÀÉÇÅÐ (THEODORE DREISER. 1871-1945) Ñåñòðà Êåððè (Sister Carrie. 1900) Ôèíàíñèñò (The financier. 1912) Òèòàí (The titan. 1914) Ñòîèê (The stoic. 1945) Ãåíèé (The "Genius". 1915) Àìåðèêàíñêàÿ òðàãåäèÿ (An American tragedy. 1925) ÐÎÁÅÐÒ ÔÐÎÑÒ (ROBERT FROST. 1874-1963) ÄÆÅÊ ËÎÍÄÎÍ (JACK LONDON. 1876-1916) Ðàññêàçû è ïîâåñòè Áåëûé Êëûê (White Fang. 1906) Ìàðòèí Èäåí (Martin Eden. 1909) ØÅÐÂÓÄ ÀÍÄÅÐÑÎÍ (SHERWOOD ANDERSON. 1876-1941) Óàéíñáóðã, Îãàéî (Winesburg, Ohio. 1919) ÊÀÐË ÑÝÍÄÁÅÐà (CARL SANDBURG. 1878-1967) ÑÈÍÊËÅÐ ËÜÞÈÑ (SINCLAIR LEWIS. 1885-1951) Ãëàâíàÿ óëèöà (Main street. 1920) Áýááèò (Babbitt. 1922) Ýðîóñìè (Arrowsmith. 1925) Êèíãñáëàä, ïîòîìîê êîðîëåé (Kingsblood royal. 1947) ÝÇÐÀ ÏÀÓÍÄ (EZRA POUND. 1885-1972) ÞÄÆÈÍ Î'ÍÈË (EUGENE O'NEILL. 1888-1953) Ëþáîâü ïîä âÿçàìè (Desire under the elms. 1924) Òðàóð - ó÷àñòü Ýëåêòðû (Mourning becomes Electra. 1931) ÊÝÒÐÈÍ ÝÍÍ ÏÎÐÒÅÐ (KATHER1NE ANNE PORTER. 1890-1980) Êîðàáëü äóðàêîâ (The ship of fools. 1962) ÃÅÍÐÈ ÌÈËËÅÐ (HENRY MILLER. 1891-1980) ÏÅÐË ÁÀÊ (PEARL BUCK. 1892-1973) Çåìëÿ (The good earth. 1931) ÄÆÎÍ ÄÎÑ ÏÀÑÑÎÑ (JOHN DOS PASSOS, 1896-1970) ÑØÀ: 42-ÿ ïàðàëëåëü. - 1919. - Áîëüøèå äåíüãè (U. S. A.: The 42-d parallel. 1930.- Nineteen nineteen. 1932.- The big money. 1936) ÔÐÅÍÑÈÑ ÑÊÎÒÒ ÔÈÖÄÆÅÐÀËÜÄ (FRANCIS SCOTT FITZGERALD. 1896-1940) Âåëèêèé Ãýòñáè (The great Gatsby. 1925) Íî÷ü íåæíà (Tender is the night. 1934) ÒÎÐÍÒÎÍ ÍÀÉÂÅÍ ÓÀÉËÄÅÐ (THORNTON NIVEN WILDER. 1897-1975) Ìîñò êîðîëÿ Ëþäîâèêà Ñâÿòîãî (The bridge of San Luis rey. 1927) Íàø ãîðîäîê (Our town. 1938) Äåíü âîñüìîé (The eighth day. 1967) ÓÈËÜßÌ ÔÎËÊÍÅÐ (WILLIAM FAULKNER. 1897-1962) Øóì è ÿðîñòü (The sound and the fury. 1929) Ñâåò â àâãóñòå (Light in August. 1932) Äåðåâíÿ.- Ãîðîä.- Îñîáíÿê (The hamlet. 1940.- The town. 1957. The mansion. 1959) Ðàññêàçû ÝÐÍÅÑÒ ÕÅÌÈÍÃÓÝÉ (ERNEST HEMINGWAY. 1899-1961) Ôèåñòà (Fiesta. 1926) Ïðîùàé, îðóæèå! (A farewell to arms. 1929) Ïî êîì çâîíèò êîëîêîë (For whom the bell tolls. 1940) Ñòàðèê è íîðå (The old man and the sea. 1952) ÂËÀÄÈÌÈÐ ÍÀÁÎÊΠ(VLADIMIR NABOKOV. 1899-1977; ÍÀÁÎÊΠÂËÀÄÈÌÈÐ ÂËÀÄÈÌÈÐÎÂÈ×) Ëîëèòà (Lolita. 1955) ÌÀÐÃÀÐÅÒ ÌÈÒ×ÅËË (MARGARET MITCHELL. 1900-1949) Óíåñåííûå âåòðîì (Gone with the wind. 1936) ÒÎÌÀÑ ÂÓËÔ (THOMAS WOLFE 1900-1938) Âçãëÿíè íà äîì ñâîé, àíãåë (Look homeward, angel. 1929) Äîìîé âîçâðàòà íåò (You can't go home again. 1940) ÄÆÎÍ ÑÒÅÉÍÁÅÊ (JOHN STEINBECK. 1902-1968) Ãðîçäüÿ ãíåâà (The grapes of wrath. 1939) ÐÈ×ÀÐÄ ÐÀÉÒ (RICHARD WRIGHT. 1908-1960) ÒÅÍÍÅÑÑÈ ÓÈËÜßÌÑ (TENNESSEE WILLIAMS. 1911-1983) Ñòåêëÿííûé çâåðèíåö (The glass menagerie. 1945) Òðàìâàé "Æåëàíèå" (The streetcar named Desire. 1947)
Ñòðàíèöû: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40
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