A Scanner Darkly

On the other hand, Hank and those guys downtown would not be too happy if Bob Arctor left his house, now that the monitors had been expensively and elaborately installed, and was never seen again: never showed up on any of the tape. He could not therefore take off in order to fulfill his personal surveillance plans at the expense of theirs. After all, it was their money.

In the script being filmed, he would at all times have to be the star actor. Actor, Arctor, he thought. Bob the Actor who is being hunted; he who is the El Primo huntee.

They say you never recognize your own voice when you first hear it played back on tape. And when you see yourself on video tape, or like this, in a 3-D hologram, you don't recognize yourself visually either. You imagined you were a tall fat man with black hair, and instead you're a tiny thin woman with no hair at all … is that it? I'm sure I'll recognize Bob Arctor, he thought, if by nothing else than by the clothes he wears or by a process of elimination. What isn't Barris or Luckman and lives here must be Bob Arctor. Unless it's one of the dogs or cats. I'll try to keep my professional eye trained on something which walks upright.

"Barris," he said, "I'm going out to see if I can score some beans." Then he pretended to remember he had no car; he got that sort of expression. "Luckman," he said, "is your Falcon running?"

"No," Luckman said thoughtfully, after consideration, "I don't think so."

"Can I borrow your car, Jim?" Arctor asked Barris.

"I wonder … if you can handle my car," Barris said.

This always arose as a defense when anyone tried to borrow Barris's car, because Barris had had secret unspecified modifications done on it, in its

(a) suspension

(b) engine

(c) transmission

(d) rear end

(e) drive train

(f) electrical system

(g) front end and steering

(h) as well as clock, cigar lighter, ashtray, glove compartment. In particular the glove compartment. Barris kept it locked always. The radio, too, had been cunningly changed (never explained how or why). If you tuned one station you got only one-minute-apart blips. All the push-buttons brought in a single transmission that made no sense, and, oddly, there was never any rock played over it. Sometimes when they were accompanying Barris on a buy and Barris parked and got out of the car, leaving them, he turned the particular station on in a special fashion very loud. If they changed it while he was gone he became incoherent and refused to speak on the trip back or ever to explain. He had not explained yet. Probably when set to that frequency his radio transmitted

(a) to the authorities.

(b) to a private paramilitary political organization.

(c) to the Syndicate.

(d) to extraterrestrials of higher intelligence.

"By that I mean," Barris said, "it will cruise at—"

"Aw fuck!" Luckman broke in harshly. "It's an ordinary six-cylinder motor, you humper. When we park in it downtown L.A. the parking-lot jockey drives it. So why can't Bob? You asshole."

Now, Bob Arctor had a few devices too, a few covert modifications built into his own car radio. But he didn't talk about them. Actually, it was Fred who had. Or anyhow somebody had, and they did a few things a little like what Barris claimed his several electronic assists did, and then on the other hand they did not.

For example, every law-enforcement vehicle emits a particular full-spectrum interference which sounds on ordinary car radios like a failure in the spank-suppressors of that vehicle. As if the police car's ignition is faulty. However, Bob Arctor, as a peace officer, had been allocated a gadget which, when he had mounted it within his car radio, told him a great deal, whereas the noises told other people—most other people—no information at all. These other people did not even recognize the static as information-bearing. First of all, the different subsounds told Bob Arctor how close the law-enforcement vehicle was to his own and, next, what variety of department it represented: city or county, Highway Patrol, or federal, whatever. He, too, picked up the one-minute-apart blips which acted as a time check for a parked vehicle; those in the parked vehicle could determine how many minutes they had waited without any obvious arm gestures. This was useful, for instance, when they had agreed to hit a house in exactly three minutes. The zt zt zt on their car radio told them precisely when three minutes had passed.

He knew, too, about the AM station that played the top-ten-type tunes on and on plus an enormous amount of DJ chatter in between, which sometimes was not chatter, in a sense. If that station had been tuned to, and the racket of it filled your car, anyone casually overhearing it would hear a conventional pop music station and typical boring DJ talk, and either not hang around at all or flash on in any way to the fact that the so-called DJ suddenly, in exactly the same muted chatty style of voice in which he said, "Now here's a number for Phil and Jane, a new Cat Stevens tune called—" occasionally said something more like "Vehicle blue will proceed a mile north to Bastanchury and the other units will—" and so on. He had never—with all the many dudes and chicks who rode with him, even when he had been obliged to keep tuned to police info-instruct, such as when a major bust was going down or any big action was in progress which might involve him—had anyone notice. Or if they noticed, they probably thought they were personally spaced and paranoid and forgot it.

And also he knew about the many unmarked police vehicles like old Chevys jacked up in the back with loud (illegal) pipes and racing stripes, with wild-looking hip types driving them erratically at high speed—he knew from what his radio emitted in the way of the special information-carrying station at all frequencies when one buzzed him or shot past. He knew to ignore.

Also, when he pushed the bar that supposedly switched from AM to FM on his car radio, a station on a particular frequency groaned out indefinite Muzak-type music, but this noise being transmitted to his car was filtered out, unscrambled, by the microphone-transmitter within his radio, so that whatever was said by those in his car at the time was picked up by his equipment and broadcast to the authorities; but this one funky station playing away, no matter how loud, was not received by them and did not interfere at all; the grid eliminated it.

What Barris claimed to have did bear a certain resemblance to what he, Bob Arctor, as an undercover law-enforcement officer did have in his own car radio; but beyond that, in regard to other modifications such as suspension, engine, transmission, etc., there had been no alterations whatsoever. That would be uncool and obvious. And secondly, millions of car freaks could make equally hairy modifications in their cars, so he simply had gotten allocation for a fairly potent mill for his wheels and let it go at that. Any high-powered vehicle can overtake and leave behind any other. Barris was full of shit about that; a Ferrari has suspension and handling and steering that no "special secret modifications" can match, so the hell with it. And cops can't drive sports cars, even cheap ones. Let alone Ferraris. Ultimately it is the driver's skill that decides it all.

He did have one other law-enforcement allocation, though. Very unusual tires. They had more than steel bands inside, like Michelin had introduced years ago in their X types. These were all metal and wore out fast, but they had advantages in speed and acceleration. Their disadvantage was their cost, but he got them free, from his allocation service, which was not a Dr. Pepper machine like the money one. This worked fine, but he could get allocations only when absolutely necessary. The tires he put on himself, when no one was watching. As he had put in the radio alterations.

The only fear about the radio was not detection by someone snooping, such as Barris, but simple theft. Its added devices made it expensive to replace if it got ripped off; he would have to talk fast.

Naturally, too, he carried a gun hidden in his car. Barris in all his lurid acid-trip, spaced-out fantasies would never have designed its hiding place, where it actually was. Barris would have directed there to be an exotic spot of concealment for it, like in the steering column, in a hollow chamber. Or inside the gas tank, hanging down on a wire like the shipment of coke in the classic flick Easy Rider, that place as a stash place, incidentally, being about the worst spot on a hog. Every law-enforcement officer who had caught the film had flashed right away on what clever psychiatrist types had elaborately figured out: that the two bikers wanted to get caught and if possible killed. His gun, in his car, was in the glove compartment.

The pseudo-clever stuff that Barris continually alluded to about his own vehicle probably bore some resemblance to reality, the reality of Arctor's own modified car, because many of the radio gimmicks which Arctor carried were SOP and had been demonstrated on late-night TV, on network talk shows, by electronic experts who had helped design them, or read about them in trade journals, or seen them, or gotten fined from police labs and harbored a grudge. So the average citizen (or, as Barris always said in his quasieducated lofty way, the typical average citizen) knew by now that no black-and-white ran the risk of pulling over a fast-moving souped-up, racing-striped ‘57 Chevy with what appeared to be a wild teen-ager spaced out behind the wheel on Coors beer—and then finding he'd halted an undercover nark vehicle in hot pursuit of its quarry. So the typical average citizen these days knew how and why all those nark vehicles as they roared along, scaring old ladies and straights into indignation and letter-writing, continually signaled their identity back and forth to one another and their peers … what difference did it make? But what would make a difference—a dreadful one—would be if the punks, the hotrodders, the bikers, and especially the dealers and runners and pushers, managed to build and incorporate into their own similar cars such sophisticated devices.

They could then whiz right on by. With impunity.

"I'll walk, then," Arctor said, which was what he had wanted to do anyhow; he had set up both Barris and Luckman. He had to walk.

"Where you going?" Luckman said.

"Donna's." Getting to her place on foot was almost impossible; saying this ensured neither man accompanying him. He put on his coat and set off toward the front door. "See you guys later."

"My car—" Barris continued by way of more copout.

"If I tried to drive your car," Arctor said, "I'd press the wrong button and it'd float up over the Greater L.A. downtown area like the Goodyear blimp, and they'd have me dumping borate on oil-well fires."

"I'm glad you can appreciate my position," Barris was muttering as Arctor shut the door.

Seated before the hologram cube of Monitor Two, Fred in his scramble suit watched impassively as the hologram changed continually before his eyes. In the safe apartment other watchers watched other holograms from other source points, mostly playbacks. Fred, however, watched a live hologram unfolding; it recorded, but he had by-passed the stored tape to pick up the transmission at the instant it emanated from Bob Arctor's allegedly run-down house.

Within the hologram, in broad-band color, with high resolution, sat Barris and Luckman. In the best chair in the living room, Barris sat bent over a hash pipe he had been putting together for days. His face had become a mask of concentration as he wound white string around and around the bowl of the pipe. At the coffee table Luckman hunched over a Swanson's chicken TV dinner, eating in big clumsy mouthfuls while he watched a western on TV. Four beer cans—empties—lay squashed by his mighty fist on the table; now he reached for a fifth half-full can, knocked it over, spilled it, grabbed it, and cursed. At the curse, Barris peered up, regarded him like Mime in Siegfried, then resumed work.

Fred continued to watch.

"Fucking late-night TV," Luckman gargled, his mouth full of food, and then suddenly he dropped his spoon and leaped staggering to his feet, tottered, spun toward Barris, both hands raised, gesturing, saying nothing, his mouth open and half-chewed food spilling from it onto his clothes, onto the floor. The cats ran forward eagerly.

Barris halted in his hash-pipe making, gazed up at hapless Luckman. In a frenzy, now gargling horrid noises, Luckman with one hand swept the coffee table bare of beer cans and food; everything clattered down. The cats sped off, terrified. Still, Barris sat gazing fixedly at him. Luckman lurched a few steps toward the kitchen; the scanner there, on its cube before Fred's horrified eyes, picked up Luckman as he groped blindly in the kitchen semidarkness for a glass, tried to turn on the faucet and fill it with water. At the monitor, Fred jumped up; transfixed, on Monitor Two he saw Barris, still seated, return to painstakingly winding string around and around the bowl of his hash pipe. Barris did not look up again; Monitor Two showed him again intently at work.

The aud tapes clashed out great breaking, tearing sounds of agony: human strangling and the furious din of objects hitting the floor as Luckman hurled pots and pans and dishes and flatware about in an attempt to attract Barris's attention. Barris, amid the noise, continued methodically at his hash pipe and did not look up again.

In the kitchen, on Monitor One, Luckman fell to the floor all at once, not slowly, onto his knees, but completely, with a sodden thump, and lay spread-eagled. Barris continued winding the string of his hash pipe, and now a small snide smile appeared on his face, at the corners of his mouth.

On his feet, Fred stared in shock, galvanized and paralyzed simultaneously. He reached for the police phone beside the monitor, halted, still watched.

For several minutes Luckman lay on the kitchen floor without moving as Barris wound and wound the string, Barris bent over like an intent old lady knitting, smiling to himself, smiling on and on, and rocking a trifle; then abruptly Barris tossed the hash pipe away, stood up, gazed acutely at Luckman's form on the kitchen floor, the broken water glass beside him, all the debris and pans and broken plates, and then Barris's face suddenly reacted with mock dismay. Barris tore off his shades, his eyes widened grotesquely, he flapped his arms in helpless fright, he ran about a little here and there, then scuttled toward Luckman, paused a few feet from him, ran back, panting now.

He's building up his act, Fred realized. He's getting his panic-and-discovery act together. Like he just came onto the scene. Barris, on the cube of Monitor Two, twisted about, gasped in grief, his face dark red, and then he hobbled to the phone, yanked it up, dropped it, picked it up with trembling fingers … he has just discovered that Luckman, alone in the kitchen, has choked to death on a piece of food, Fred realized; with no one there to hear him or help him. And now Barris is frantically trying to summon help. Too late.

Into the phone, Barris was saying in a weird, high-pitched slow voice, "Operator, is it called the inhalator squad or the resuscitation squad?"

"Sir," the phone tab squawked from its speaker by Fred, "is there someone unable to breathe? Do you wish—"

"It, I believe, is a cardiac arrest," Barris was saying now in his low, urgent, professional-type, calm voice into the phone, a voice deadly with awareness of peril and gravity and the running out of time. "Either that or involuntary aspiration of a bolus within the—"

"What is the address, sir?" the operator broke in.

"The address," Barris said, "let's see, the address is—"

Fred, aloud, standing, said, "Christ."

Suddenly Luckman, lying stretched out on the floor, heaved convulsively. He shuddered and then barfed up the material obstructing his throat, thrashed about, and opened his eyes, which stared in swollen confusion.

"Uh, he appears to be all right now," Barris said smoothly into the phone. "Thank you; no assistance is needed after all." He rapidly hung the phone up.

"Jeez," Luckman muttered thickly as he sat up. "Fuck." He wheezed noisily, coughing and struggling for air.

"You okay?" Barris asked, in tones of concern.

"I must have gagged. Did I pass out?"

"Not exactly. You did go into an altered state of consciousness, though. For a few seconds. Probably an alpha state."

"God! I soiled myself!" Unsteadily, swaying with weakness, Luckman managed to get himself to his feet and stood rocking back and forth dizzily, holding on to the wall for support. "I'm really getting degenerate," he muttered in disgust. "Like an old wino." He headed toward the sink to wash himself, his steps uncertain.

Watching all this, Fred felt the fear drain from him. The man would be okay. But Barris! What sort of person was he? Luckman had recovered despite him. What a freak, he thought. What a kinky freak. Where's his head at, just to stand idle like that?

"A guy could cash in that way," Luckman said as he splashed water on himself at the sink.

Barris smiled.

"I got a really strong physical constitution," Luckman said, gulping water from a cup. "What were you doing while I was lying there? Jacking off?"

"You saw me on the phone," Barris said. "Summoning the paramedics. I moved into action at—"

"Balls," Luckman said sourly, and went on gulping down fresh clean water. "I know what you'd do if I dropped dead—you'd rip off my stash. You'd even go through my pockets."

"It's amazing," Barris said, "the limitation of the human anatomy, the fact that food and air must share a common passage. So that the risk of—"

Silently, Luckman gave him the finger.

***

A screech of brakes. A horn. Bob Arctor looked swiftly up at the night traffic. A sports car, engine running, by the curb; inside it, a girl waving at him.

Donna.

"Christ," he said again. He strode toward the curb.

Opening the door of her MG, Donna said, "Did I scare you? I passed you on my way to your place and then I flashed on it that it was you truckin' along, so I made a U-turn and came back. Get in."

Silently he got in and shut the car door.

"Why are you out roaming around?" Donna said. "Because of your car? It's still not fixed?"

"I just did a freaky number," Bob Arctor said. "Not like a fantasy trip. Just …" He shuddered.

Donna said, "I have your stuff."

"What?" he said.

"A thousand tabs of death."

"Death?" he echoed.

"Yeah, high-grade death. I better drive." She shifted into low, took off and out onto the street; almost at once she was driving along too fast. Donna always drove too fast, and tailgated, but expertly.

"That fucking Barris!" he said. "You know how he works? He doesn't kill anybody he wants dead; he just hangs around until a situation arises where they die. And he just sits there while they die. In fact, he sets them up to die while he stays out of it. But I'm not sure how. Anyhow, he arranges to allow them to fucking die." He lapsed into silence then, brooding to himself. "Like," he said, "Barris wouldn't wire plastic explosives into the ignition system of your car. What he'd do—"

"Do you have the money?" Donna said. "For the stuff? It's really Primo, and I need the money right now. I have to have it tonight because I have to pick up some other things."

"Sure." He had it in his wallet.

"I don't like Barris," Donna said as she drove, "and I don't trust him. You know, he's crazy. And when you're around him you're crazy too. And then when you're not around him you're okay. You're crazy right now."

"I am?" he said, startled.

"Yes," Donna said calmly.

"Well," he said. "Jesus." He did not know what to say to that. Especially since Donna was never wrong.

"Hey," Donna said with enthusiasm, "could you take me to a rock concert? At the Anaheim Stadium next week? Could you?"

"Right on," he said mechanically. And then it flashed on him what Donna had said—asking him to take her out. "Alll riiiight!" he said, pleased; life flowed back into him. Once again, the little dark-haired chick whom he loved so much had restored him to caring. "Which night?"

"It's Sunday afternoon. I'm going to bring some of that oily dark hash and get really loaded. They won't know the difference; there'll be thousands of heads there." She glanced at him, critically. "But you've got to wear something neat, not those funky clothes you sometimes put on. I mean—" Her voice softened. "I want you to look foxy because you are foxy."

"Okay," he said, charmed.

"I'm taking us to my place," Donna said as she shot along through the night in her little car, "and you do have the money and you will give it to me, and then we'll drop a few of the tabs and kick back and get really mellow, and maybe you'd like to buy us a fifth of Southern Comfort and we can get bombed as well."

"Oh wow," he said, with sincerity.

"What I really genuinely want to do tonight," Donna said as she shifted down and swiveled the car onto her own street and into her driveway, "is go to a drive-in movie. I bought a paper and read what's on, but I couldn't find anything good except at the Torrance Drive-in, but it's already started. It started at five-thirty. Bummer."

He examined his watch. "Then we've missed—"

"No, we could still see most of it." She shot him a warm smile as she stopped the car and shut off the engine. "It's all the Planet of the Apes pictures, all eleven of them; they run from 7:30 P.M. all the way through to 8 A.M. tomorrow morning. I'll go to work directly from the drive-in, so I'll have to change now. We'll sit there at the movie loaded and drinking Southern Comfort all night. Wow, can you dig it?" She peered at him hopefully.

"All right," he echoed.

"Yeah yeah yeah." Donna hopped out and came around to help him open his little door. "When did you last see all the Planet of the Apes pictures? I saw most of them earlier this year, but then I got sick toward the last ones and had to split. It was a ham sandwich they vended me there at the drive-in. That really made me mad; I missed the last picture, where they reveal that all the famous people in history like Lincoln and Nero were secretly apes and running all human history from the start. That's why I want to go back now so bad." She lowered her voice as they walked toward her front door. "They burned me by vending that ham sandwich, so what I did—don't rat on me—the next time we went to the drive-in, the one in La Habra, I stuck a bent coin in the slot and a couple more in other vending machines for good measure. Me and Larry Talling—you remember Larry, I was going with him?—bent a whole bunch of quarters and fifty-cent pieces using his vise and a big wrench. I made sure all the vending machines were owned by the same firm, of course, and then we fucked up a bunch of them, practically all of them, if the truth were known." She unlocked her front door with her key, slowly and gravely, in the dim light.

"It is not good policy to burn you, Donna," he said as they entered her small neat place.

"Don't step on the shag carpet," Donna said.

"Where'll I step, then?"

"Stand still, or on the newspapers."

"Donna—"

"Now don't give me a lot of heavy shit about having to walk on the newspapers. Do you know how much it cost me to get my carpet shampooed?" She stood unbuttoning her jacket.

"Thrift," he said, taking off his own coat. "French peasant thrift. Do you ever throw anything away? Do you keep pieces of string too short for any—"

"Someday," Donna said, shaking her long black hair back as she slid out of her leather jacket, "I'm going to get married and I'll need all that, that I've put away. When you get married you need everything there is. Like, we saw this big mirror in the yard next door; it took three of us over an hour to get it over the fence. Someday—"

"How much of what you've got put away did you buy," he asked, "and how much did you steal?"

"Buy?" She studied his face uncertainly. "What do you mean by buy?"

"Like when you buy dope," he said. "A dope deal. Like now." He got out his wallet. "I give you money, right?"

Donna nodded, watching him obediently (actually, more out of politeness) but with dignity. With a certain reserve.

"And then you hand me a bunch of dope for it," he said, holding out the bills. "What I mean by buy is an extension into the greater world of human business transactions of what we have present now, with us, as dope deals."

"I think I see," she said, her large dark eyes placid but alert. She was willing to learn.

"How many—like when you ripped off that Coca-Cola truck you were tailgating that day—how many bottles of Coke did you rip off? How many crates?"

"A month's worth," Donna said. "For me and my friends."

He glared at her reprovingly.

"It's a form of barter," she said.

"What do—" He started to laugh. "What do you give back?"

"I give of myself."

Now he laughed out loud. "To who? To the driver of the truck, who probably had to make good—"

"The Coca-Cola Company is a capitalist monopoly. No one else can make Coke but them, like the phone company does when you want to phone someone. They're all capitalist monopolies. Do you know"—her dark eyes flashed—"that the formula for Coca-Cola is a carefully guarded secret handed down through the ages, known only to a few persons all in the same family, and when the last of them dies that's memorized the formula, there will be no more Coke? So there's a backup written formula in a safe somewhere," she added meditatively. "I wonder where," she ruminated to herself, her eyes flickering.

"You and your rip-off friends will never find the Coca-Cola formula, not in a million years."

"WHO THE FUCK WANTS TO MANUFACTURE COKE ANYHOW WHEN YOU CAN RIP IT OFF THEIR TRUCKS? They've got a lot of trucks. You see them driving constantly, real slow. I tailgate them every chance I get; it makes them mad." She smiled a secret, cunning, lovely little impish smile at him, as if trying to beguile him into her strange reality, where she tailgated and tailgated a slow truck and got madder and madder and more impatient and then, when it pulled off, instead of shooting on by like other drivers would, she pulled off too, and stole everything the truck had on it. Not so much because she was a thief on even for revenge but because by the time it finally pulled off she had looked at the crates of Coke so long that she had figured out what she could do with all of them. Her impatience had returned to ingenuity. She had loaded her car—not the MG but the larger Camaro she had been driving then, before she had totaled it—with crates and crates of Coke, and then for a month she and all her jerk friends had drunk all the free Coke they wanted to, and then after that—

She had turned the empties back in at different stores for the deposits.

"What'd you do with the bottle caps?" he once asked her. "Wrap them in muslin and store them away in your cedar chest?"

"I threw them away," Donna said glumly. "There's nothing you can do with Coke bottle caps. There's no contests or anything any more." Now she disappeared into the other room, returned presently with several polyethylene bags. "You wanta count these?" she inquired. "There's a thousand for sure. I weighed them on my gram scale before I paid for them."

"It's okay," he said. He accepted the bags and she accepted the money and he thought, Donna, once more I could send you up, but I probably never will no matter what you do even if you do it to me, because there is something wonderful and full of life about you and sweet and I would never destroy it. I don't understand it, but there it is.

"Could I have ten?" she asked.

"Ten? Ten tabs back? Sure." He opened one of the bags—it was hard to untie, but he had the skill—and counted her out precisely ten. And then ten for himself. And retied the bag. And then carried all the bags to his coat in the closet.

"You know what they do in cassette-tape stores now?" Donna said energetically when he returned. The ten tabs were nowhere in sight; she had already stashed them. "Regarding tapes?"

"They arrest you," he said, "if you steal them."

"They always did that. Now what they do—you know when you carry an LP or a tape to the counter and the clerk removes the little price tag that's gummed on? Well, guess what. Guess what I found out almost the hard way." She threw herself down in a chair, grinning in anticipation, and brought forth a foil-wrapped tiny cube, which he identified as a fragment of hash even before she unwrapped it. "That isn't only a gummed-on price sticker. There's also a tiny fragment of some kind of alloy in it, and if that sticker isn't removed by the clerk at the counter, and you try to get out through the door with it, then an alarm goes off."

"How did you find out almost the hard way?"

"Some teenybopper tried to walk out with one under her coat ahead of me and the alarm went off and they grabbed her and the pigs came."

"How many did you have under your coat?"

"Three."

"Did you also have dope in your car?