Charlie Bucket saw that they were now back in one of those long pink corridors with many other pink corridors leading out of it. Mr Wonka was rushing along in front, turning left and right and right and left, and Grandpa Joe was saying, 'Keep a good hold of my hand, Charlie. It would be terrible to get lost in here.'
Mr Wonka was saying, 'No time for any more messing about! We'll never get anywhere at the rate we've been going!' And on he rushed, down the endless pink corridors, with his black top hat perched on the top of his head and his plum-coloured velvet coat-tails flying out behind him like a flag in the wind.
They passed a door in the wall. 'No time to go in!' shouted Mr Wonka. 'Press on! Press on!'
They passed another door, then another and another. There were doors every twenty paces or so along the corridor now, and they all had something written on them, and strange clanking noises were coming from behind several of them, and delicious smells came wafting through the keyholes, and sometimes little jets of coloured steam shot out from the cracks underneath.
Grandpa Joe and Charlie were half running and half walking to keep up with Mr Wonka, but they were able to read what it said on quite a few of the doors as they hurried by. EATABLE MARSHMALLOW PILLOWS, it said on one.
'Marshmallow pillows are terrific!' shouted Mr Wonka as he dashed by. 'They'll be all the rage when I get them into the shops! No time to go in, though! No time to go in!'
LICKABLE WALLPAPER FOR NURSERIES, it said on the next door.
'Lovely stuff, lickable wallpaper!' cried Mr Wonka, rushing past. 'It has pictures of fruits on it — bananas, apples, oranges, grapes, pineapples, strawberries, and snozzberries …'
'Snozzberries?' said Mike Teavee.
'Don't interrupt!' said Mr Wonka. 'The wallpaper has pictures of all these fruits printed on it, and when you lick the picture of a banana, it tastes of banana. When you lick a strawberry, it tastes of strawberry. And when you lick a snozzberry, it tastes just exactly like a snozzberry …'
'But what does a snozzberry taste like?'
'You're mumbling again,' said Mr Wonka. 'Speak louder next time. On we go! Hurry up!'
HOT ICE CREAMS FOR COLD DAYS, it said on the next door.
'Extremely useful in the winter,' said Mr Wonka, rushing on. 'Hot ice cream warms you up no end in freezing weather. I also make hot ice cubes for putting in hot drinks. Hot ice cubes make hot drinks hotter.'
COWS THAT GIVE CHOCOLATE MILK, it said on the next door. 'Ah, my pretty little cows!' cried Mr Wonka. 'How I love those cows!'
'But why can't we see them?' asked Veruca Salt. 'Why do we have to go rushing on past all these lovely rooms?'
'We shall stop in time!' called out Mr Wonka. 'Don't be so madly impatient!' FIZZY LIFTING DRINKS, it said on the next door.
'Oh, those are fabulous!' cried Mr Wonka. 'They fill you with bubbles, and the bubbles are full of a special kind of gas, and this gas is so terrifically lifting that it lifts you right off the ground just like a balloon, and up you go until your head hits the ceiling — and there you stay.'
'But how do you come down again?' asked little Charlie.
'You do a burp, of course,' said Mr Wonka. 'You do a great big long rude burp, and up comes the gas and down comes you! But don't drink it outdoors! There's no knowing how high up you'll be carried if you do that. I gave some to an old Oompa-Loompa once out in the back yard and he went up and up and disappeared out of sight! It was very sad. I never saw him again.'
'He should have burped,' Charlie said.
'Of course he should have burped,' said Mr Wonka. 'I stood there shouting, "Burp, you silly ass, burp, or you'll never come down again!" But he didn't or couldn't or wouldn't, I don't know which. Maybe he was too polite. He must be on the moon by now.'
On the next door, it said, SQUARE SWEETS THAT LOOK ROUND.
'Wait!' cried Mr Wonka, skidding suddenly to a halt. 'I am very proud of my square sweets that look round. Let's take a peek.'
23
Square Sweets That Look Round
Everybody stopped and crowded to the door. The top half of the door was made of glass.
Grandpa Joe lifted Charlie up so that he could get a better view, and looking in, Charlie saw
a long table, and on the table there were rows and rows of small white square-shaped
sweets. The sweets looked very much like square sugar lumps — except that each of them
had a funny little pink face painted on one side. At the end of the table, a number of
Oompa-Loompas were busily painting more faces on more sweets.
'There you are!' cried Mr Wonka. 'Square sweets that look round!'
'They don't look round to me,' said Mike Teavee.
'They look square,' said Veruca Salt. 'They look completely square.'
'But they are square,' said Mr Wonka. 'I never said they weren't.'
'You said they were round!' said Veruca Salt.
'I never said anything of the sort,' said Mr Wonka. 'I said they looked round.'
'But they don't look round!' said Veruca Salt.' They look square!'
'They look round,' insisted Mr Wonka.
'They most certainly do not look round!' cried Veruca Salt.
'Veruca, darling,' said Mrs Salt, 'pay no attention to Mr Wonka! He's lying to you!'
'My dear old fish,' said Mr Wonka, 'go and boil your head!'
'How dare you speak to me like that!' shouted Mrs Salt.
'Oh, do shut up,' said Mr Wonka. 'Now watch this!'
He took a key from his pocket, and unlocked the door, and flung it open … and suddenly … at the sound of the door opening, all the rows of little square sweets looked quickly round to see who was coming in. The tiny faces actually turned towards the door and stared at Mr Wonka.
'There you are!' he cried triumphantly. 'They're looking round! There's no argument about it! They are square sweets that look round!'
'By golly, he's right!' said Grandpa Joe.
'Come on!' said Mr Wonka, starting off down the corridor again. 'On we go! We mustn't dawdle!'
BUTTERSCOTCH AND BUTTERGIN, it said on the next door they passed. 'Now that sounds a bit more interesting,' said Mr Salt, Veruca's father.
'Glorious stuff!' said Mr Wonka. 'The Oompa-Loompas all adore it. It makes them tiddly. Listen! You can hear them in there now, whooping it up.'
Shrieks of laughter and snatches of singing could be heard coming through the closed door.
'They're drunk as lords,' said Mr Wonka. 'They're drinking butterscotch and soda. They like that best of all. Buttergin and tonic is also very popular. Follow me, please! We really mustn't keep stopping like this.' He turned left. He turned right. They came to a long flight of stairs. Mr Wonka slid down the banisters. The three children did the same. Mrs Salt and Mrs Teavee, the only women now left in the party, were getting very out of breath. Mrs Salt was a great fat creature with short legs, and she was blowing like a rhinoceros. 'This way!' cried Mr Wonka, turning left at the bottom of the stairs.
'Go slower!' panted Mrs Salt.
'Impossible,' said Mr Wonka. 'We should never get there in time if I did.'
'Get where?' asked Veruca Salt.
'Never you mind,' said Mr Wonka. 'You just wait and see.'
24
Veruca in the Nut Room
Mr Wonka rushed on down the corridor. THE NUT ROOM, it said on the next door they came to.
'All right,' said Mr Wonka, 'stop here for a moment and catch your breath, and take a peek through the glass panel of this door. But don't go in! Whatever you do, don't go into THE NUT ROOM! If you go in, you'll disturb the squirrels!'
Everyone crowded around the door. 'Oh look, Grandpa, look!' cried Charlie. 'Squirrels!' shouted Veruca Salt. 'Crikey!' said Mike Teavee.
It was an amazing sight. One hundred squirrels were seated upon high stools around a large table. On the table, there were mounds and mounds of walnuts, and the squirrels were all working away like mad, shelling the walnuts at a tremendous speed.
'These squirrels are specially trained for getting the nuts out of walnuts,' Mr Wonka explained.
'Why use squirrels?' Mike Teavee asked. 'Why not use Oompa-Loompas?'
'Because,' said Mr Wonka, 'Oompa-Loompas can't get walnuts out of walnut shells in one piece. They always break them in two. Nobody except squirrels can get walnuts whole out of walnut shells every time. It is extremely difficult. But in my factory, I insist upon only whole walnuts. Therefore I have to have squirrels to do the job. Aren't they wonderful, the way they get those nuts out! And see how they first tap each walnut with their knuckles to be sure it's not a bad one! If it's bad, it makes a hollow sound, and they don't bother to open it. They just throw it down the rubbish chute. There! Look! Watch that squirrel nearest to us! I think he's got a bad one now!'
They watched the little squirrel as he tapped the walnut shell with his knuckles. He cocked his head to one side, listening intently, then suddenly he threw the nut over his shoulder into a large hole in the floor.
'Hey, Mummy!' shouted Veruca Salt suddenly, 'I've decided I want a squirrel! Get me one of those squirrels!'
'Don't be silly, sweetheart,' said Mrs Salt. 'These all belong to Mr Wonka.'
'I don't care about that!' shouted Veruca. 'I want one. All I've got at home is two dogs and four cats and six bunny rabbits and two parakeets and three canaries and a green parrot and a turtle and a bowl of goldfish and a cage of white mice and a silly old hamster! I want a squirrel!'
'All right, my pet,' Mrs Salt said soothingly. 'Mummy'll get you a squirrel just as soon as she possibly can.'
'But I don't want any old squirrel!' Veruca shouted. 'I want a trained squirrel!'
At this point, Mr Salt, Veruca's father, stepped forward. 'Very well, Wonka,' he said importantly, taking out a wallet full of money, 'how much d'you want for one of these squirrels? Name your price.'
'They're not for sale,' Mr Wonka answered. 'She can't have one.'
'Who says I can't!' shouted Veruca. 'I'm going in to get myself one this very minute!'
'Don't!' said Mr Wonka quickly, but he was too late. The girl had already thrown open the door and rushed in.
The moment she entered the room, one hundred squirrels stopped what they were doing and turned their heads and stared at her with small black beady eyes.
Veruca Salt stopped also, and stared back at them. Then her gaze fell upon a pretty little squirrel sitting nearest to her at the end of the table. The squirrel was holding a walnut in its paws.
'All right,' Veruca said, 'I'll have you!'
She reached out her hands to grab the squirrel … but as she did so … in that first split second when her hands started to go forward, there was a sudden flash of movement in the room, like a flash of brown lightning, and every single squirrel around the table took a flying leap towards her and landed on her body.
Twenty-five of them caught hold of her right arm, and pinned it down. Twenty-five more caught hold of her left arm, and pinned that down. Twenty-five caught hold of her right leg and anchored it to the ground.
Twenty-four caught hold of her left leg.
And the one remaining squirrel (obviously the leader of them all) climbed up on to her shoulder and started tap-tap-tapping the wretched girl's head with its knuckles.
'Save her!' screamed Mrs Salt. 'Veruca! Come back! What are they doing to her?' 'They're testing her to see if she's a bad nut,' said Mr Wonka. 'You watch.'
Veruca struggled furiously, but the squirrels held her tight and she couldn't move. The squirrel on her shoulder went tap-tap-tapping the side of her head with his knuckles.
Then all at once, the squirrels pulled Veruca to the ground and started carrying her across the floor.
'My goodness, she is a bad nut after all,' said Mr Wonka. 'Her head must have sounded quite hollow.'
Veruca kicked and screamed, but it was no use. The tiny strong paws held her tightly and she couldn't escape.
'Where are they taking her?' shrieked Mrs Salt.
'She's going where all the other bad nuts go,' said Mr Willy Wonka. 'Down the rubbish chute.'
'By golly, she is going down the chute!' said Mr Salt, staring through the glass door at his daughter.
'Then save her!' cried Mrs Salt.
'Too late,' said Mr Wonka. 'She's gone!'
And indeed she had.
'But where?' shrieked Mrs Salt, flapping her arms. 'What happens to the bad nuts? Where does the chute go to?'
'That particular chute,' Mr Wonka told her, 'runs directly into the great big main rubbish pipe which carries away all the rubbish from every part of the factory — all the floor sweepings and potato peelings and rotten cabbages and fish heads and stuff like that.'
'Who eats fish and cabbage and potatoes in this factory, I'd like to know?' said Mike Teavee.
'I do, of course,' answered Mr Wonka. 'You don't think I live on cacao beans, do you?'
'But … but … but …' shrieked Mrs Salt, 'where does the great big pipe go to in the end?' 'Why, to the furnace, of course,' Mr Wonka said calmly. 'To the incinerator.' Mrs Salt opened her huge red mouth and started to scream.
'Don't worry,' said Mr Wonka, 'there's always a chance that they've decided not to light it today.'
'A chance!' yelled Mrs Salt. 'My darling Veruca! She'll … she'll … she'll be sizzled like a sausage!'
'Quite right, my dear,' said Mr Salt. 'Now see here, Wonka,' he added, 'I think you've gone just a shade too far this time, I do indeed. My daughter may be a bit of a frump — I don't mind admitting it — but that doesn't mean you can roast her to a crisp. I'll have you know I'm extremely cross about this, I really am.'
'Oh, don't be cross, my dear sir!' said Mr Wonka. 'I expect she'll turn up again sooner or later. She may not even have gone down at all. She may be stuck in the chute just below the entrance hole, and if that's the case, all you'll have to do is go in and pull her up again.'
Hearing this, both Mr and Mrs Salt dashed into the Nut Room and ran over to the hole in the floor and peered in.
'Veruca!' shouted Mrs Salt. 'Are you down there!' There was no answer.
Mrs Salt bent further forward to get a closer look. She was now kneeling right on the edge of the hole with her head down and her enormous behind sticking up in the air like a giant mushroom. It was a dangerous position to be in. She needed only one tiny little push … one gentle nudge in the right place … and that is exactly what the squirrels gave her! Over she toppled, into the hole head first, screeching like a parrot.
'Good gracious me!' said Mr Salt, as he watched his fat wife go tumbling down the hole, 'what a lot of rubbish there's going to be today!' He saw her disappearing into the darkness. 'What's it like down there, Angina?' he called out. He leaned further forward.
The squirrels rushed up behind him … 'Help!' he shouted.
But he was already toppling forward, and down the chute he went, just as his wife had done before him — and his daughter.
'Oh dear!' cried Charlie, who was watching with the others through the door, 'what on earth's going to happen to them now?'
'I expect someone will catch them at the bottom of the chute,' said Mr Wonka. 'But what about the great fiery incinerator?' asked Charlie.
'They only light it every other day,' said Mr Wonka. 'Perhaps this is one of the days when they let it go out. You never know … they might be lucky …'
'Ssshh!' said Grandpa Joe. 'Listen! Here comes another song!'
From far away down the corridor came the beating of drums. Then the singing began.
'Veruca Salt!' sang the Oompa-Loompas.
'Veruca Salt, the little brute,
Has just gone down the rubbish chute
(And as we very rightly thought
That in a case like this we ought
To see the thing completely through,
We've polished off her parents, too).
Down goes Veruca! Down the drain!
And here, perhaps, we should explain
That she will meet, as she descends,
A rather different set of friends
To those that she has left behind —
These won't be nearly so refined.
A fish head, for example, cut
This morning from a halibut.
"Hello! Good morning! How d'you do?
How nice to meet you! How are you?"
And then a little further down
A mass of others gather round:
A bacon rind, some rancid lard,
A loaf of bread gone stale and hard,
A steak that nobody could chew,
An oyster from an oyster stew,
Some liverwurst so old and grey
One swelled it from a mile away,
A rotten nut, a reeky pear,
A thing the cat left on the stair,
And lots of other things as well,
Each with a rather horrid smell.
These are Veruca's new-found friends
That she will meet as she descends,
And this is the price she has to pay
For going so very far astray.
But now, my dears, we think you might
Be wondering — is it really right
That every single bit of blame
And all the scolding and the shame
Should fall upon Veruca Salt?
Is she the only one at fault?
For though she's spoiled, and dreadfully so,
A girl can't spoil herself, you know.
Who spoiled her, then? Ah, who indeed?
Who pandered to her every need?
Who turned her into such a brat?
Who are the culprits? Who did that?
Alas! You needn't look so far
To find out who these sinners are.
They are (and this is very sad)
Her loving parents, MUM and DAD.
And that is why we're glad they fell
Into the rubbish chute as well.'
25
The Great Glass Lift
'I've never seen anything like it!' cried Mr Wonka. 'The children are disappearing like
rabbits! But you mustn't worry about it! They'll all come out in the wash!'
Mr Wonka looked at the little group that stood beside him in the corridor. There were only two children left now — Mike Teavee and Charlie Bucket. And there were three grown-ups, Mr and Mrs Teavee and Grandpa Joe. 'Shall we move on?' Mr Wonka asked.
'Oh, yes!' cried Charlie and Grandpa Joe, both together.
'My feet are getting tired,' said Mike Teavee. 'I want to watch television.'
'If you're tired then we'd better take the lift,' said Mr Wonka. 'It's over here. Come on! In we go!' He skipped across the passage to a pair of double doors. The doors slid open. The two children and the grown-ups went in.
'Now then,' cried Mr Wonka, 'which button shall we press first? Take your pick!'
Charlie Bucket stared around him in astonishment. This was the craziest lift he had ever seen. There were buttons everywhere! The walls, and even the ceiling, were covered all over with rows and rows and rows of small, black push buttons! There must have been a thousand of them on each wall, and another thousand on the ceiling! And now Charlie noticed that every single button had a tiny printed label beside it telling you which room you would be taken to if you pressed it.
'This isn't just an ordinary up-and-down lift!' announced Mr Wonka proudly. 'This lift can go sideways and longways and slantways and any other way you can think of! It can visit any single room in the whole factory, no matter where it is! You simply press the button … and zing! … you're off!'
'Fantastic!' murmured Grandpa Joe. His eyes were shining with excitement as he stared at the rows of buttons.
'The whole lift is made of thick, clear glass!' Mr Wonka declared. 'Walls, doors, ceiling, floor, everything is made of glass so that you can see out!'
'But there's nothing to see,' said Mike Teavee.
'Choose a button!' said Mr Wonka. 'The two children may press one button each. So take your pick! Hurry up! In every room, something delicious and wonderful is being made.'
Quickly, Charlie started reading some of the labels alongside the buttons.
THE ROCK-CANDY MINE — 10,000 FEET DEEP, it said on one.
COKERNUT-ICE SKATING RINKS, it said on another.
Then … STRAWBERRY-JUICE WATER PISTOLS.
TOFFEE-APPLE TREES FOR PLANTING OUT IN YOUR GARDEN — ALL SIZES.
EXPLODING SWEETS FOR YOUR ENEMIES.
LUMINOUS LOLLIES FOR EATING IN BED AT NIGHT.
MINT JUJUBES FOR THE BOY NEXT DOOR — THEY'LL GIVE HIM GREEN TEETH FOR A MONTH.
CAVITY-FILLING CARAMELS — NO MORE DENTISTS. STICKJAW FOR TALKATIVE PARENTS.
WRIGGLE-SWEETS THAT WRIGGLE DELIGHTFULLY IN YOUR TUMMY AFTER SWALLOWING.
INVISIBLE CHOCOLATE BARS FOR EATING IN CLASS.
SUGAR-COATED PENCILS FOR SUCKING. FIZZY LEMONADE SWIMMING POOLS.
MAGIC HAND-FUDGE — WHEN YOU HOLD IT IN YOUR HAND, YOU TASTE IT IN YOUR MOUTH.
RAINBOW DROPS — SUCK THEM AND YOU CAN SPIT IN SIX DIFFERENT COLOURS.
'Come on, come on!' cried Mr Wonka. 'We can't wait all day!' 'Isn't there a Television Room in all this lot?' asked Mike Teavee.
'Certainly there's a television room,' Mr Wonka said. 'That button over there.' He pointed with his finger. Everybody looked. TELEVISION CHOCOLATE, it said on the tiny label beside the button.
'Whoopee!' shouted Mike Teavee. 'That's for me!' He stuck out his thumb and pressed the button. Instantly, there was a tremendous whizzing noise. The doors clanged shut and the lift leaped away as though it had been stung by a wasp. But it leapt sideways! And all the passengers (except Mr Wonka, who was holding on to a strap from the ceiling) were flung off their feet on to the floor.
'Get up, get up!' cried Mr Wonka, roaring with laughter. But just as they were staggering to their feet, the lift changed direction and swerved violently round a corner. And over they went once more.
'Help!' shouted Mrs Teavee.
'Take my hand, madam,' said Mr Wonka gallantly. 'There you are! Now grab this strap! Everybody grab a strap. The journey's not over yet!'
Old Grandpa Joe staggered to his feet and caught hold of a strap. Little Charlie, who couldn't possibly reach as high as that, put his arms around Grandpa Joe's legs and hung on tight.
The lift rushed on at the speed of a rocket. Now it was beginning to climb. It was shooting up and up and up on a steep slanty course as if it were climbing a very steep hill. Then suddenly, as though it had come to the top of the hill and gone over a precipice, it dropped like a stone and Charlie felt his tummy coming right up into his throat, and Grandpa Joe shouted, 'Yippee! Here we go!' and Mrs Teavee cried out, 'The rope has broken! We're going to crash!' And Mr Wonka said, 'Calm yourself, my dear lady,' and patted her comfortingly on the arm. And then Grandpa Joe looked down at Charlie who was clinging to his legs, and he said, 'Are you all right, Charlie?' Charlie shouted, 'I love it! It's like being on a roller coaster!' And through the glass walls of the lift, as it rushed along, they caught sudden glimpses of strange and wonderful things going on in some of the other rooms: An enormous spout with brown sticky stuff oozing out of it on to the floor …
A great, craggy mountain made entirely of fudge, with Oompa-Loompas (all roped together for safety) hacking huge hunks of fudge out of its sides …
A machine with white powder spraying out of it like a snowstorm … A lake of hot caramel with steam coming off it …
A village of Oompa-Loompas, with tiny houses and streets and hundreds of Oompa-Loompa children no more than four inches high playing in the streets …
And now the lift began flattening out again, but it seemed to be going faster than ever, and Charlie could hear the scream of the wind outside as it hurtled forward .. . and it twisted … and it turned … and it went up … and it went down … and …
'I'm going to be sick!' yelled Mrs Teavee, turning green in the face. 'Please don't be sick,' said Mr Wonka. 'Try and stop me!' said Mrs Teavee.
'Then you'd better take this,' said Mr Wonka, and he swept his magnificent black top hat off his head, and held it out, upside down, in front of Mrs Teavee's mouth.
'Make this awful thing stop!' ordered Mr Teavee.
'Can't do that,' said Mr Wonka. 'It won't stop till we get there. I only hope no one's using the other lift at this moment.'
'What other lift?' screamed Mrs Teavee.
'The one that goes the opposite way on the same track as this one,' said Mr Wonka.
'Holy mackerel!' cried Mr Teavee. 'You mean we might have a collision?'
'I've always been lucky so far,' said Mr Wonka.
'Now I am going to be sick!' yelled Mrs Teavee.
'No, no!' said Mr Wonka. 'Not now! We're nearly there! Don't spoil my hat!'
The next moment, there was a screaming of brakes, and the lift began to slow down. Then it stopped altogether.
'Some ride!' said Mr Teavee, wiping his great sweaty face with a handkerchief.
'Never again!' gasped Mrs Teavee. And then the doors of the lift slid open and Mr Wonka said, 'Just a minute now! Listen to me! I want everybody to be very careful in this room. There is dangerous stuff around in here and you must not tamper with it.'
26
The Television-Chocolate Room
The Teavee family, together with Charlie and Grandpa Joe, stepped out of the lift into a
room so dazzlingly bright and dazzlingly white that they screwed up their eyes in pain and
stopped walking. Mr Wonka handed each of them a pair of dark glasses and said, 'Put these
on quick! And don't take them off in here whatever you do! This light could blind you!'
As soon as Charlie had his dark glasses on, he was able to look around him in comfort. He saw a long narrow room. The room was painted white all over. Even the floor was white, and there wasn't a speck of dust anywhere. From the ceiling, huge lamps hung down and bathed the room in a brilliant blue-white light. The room was completely bare except at the far ends. At one of these ends there was an enormous camera on wheels, and a whole army of Oompa-Loompas was clustering around it, oiling its joints and adjusting its knobs and polishing its great glass lens. The Oompa-Loompas were all dressed in the most extraordinary way. They were wearing bright-red space suits, complete with helmets and goggles — at least they looked like space suits — and they were working in complete silence. Watching them, Charlie experienced a queer sense of danger. There was something dangerous about this whole business, and the Oompa-Loompas knew it. There was no chattering or singing among them here, and they moved about over the huge black camera slowly and carefully in their scarlet space suits.
At the other end of the room, about fifty paces away from the camera, a single Oompa-Loompa (also wearing a space suit) was sitting at a black table gazing at the screen of a very large television set.
'Here we go!' cried Mr Wonka, hopping up and down with excitement. 'This is the Testing Room for my very latest and greatest invention — Television Chocolate!'
'But what is Television Chocolate?' asked Mike Teavee.
'Good heavens, child, stop interrupting me!' said Mr Wonka. 'It works by television. I don't like television myself. I suppose it's all right in small doses, but children never seem to be able to take it in small doses. They want to sit there all day long staring and staring at the screen …'
'That's me!' said Mike Teavee.
'Shut up!' said Mr Teavee.
'Thank you,' said Mr Wonka. 'I shall now tell you how this amazing television set of mine works. But first of all, do you know how ordinary television works? It is very simple. At one end, where the picture is being taken, you have a large cine camera and you start photographing something. The photographs are then split up into millions of tiny little pieces which are so small that you can't see them, and these little pieces are shot out into the sky by electricity. In the sky, they go whizzing around all over the place until suddenly they hit the antenna on the roof of somebody's house. They then go flashing down the wire that leads right into the back of the television set, and in there they get jiggled and joggled around until at last every single one of those millions of tiny pieces is fitted back into its right place (just like a jigsaw puzzle), and presto! — the photograph appears on the screen …'
'That isn't exactly how it works,' Mike Teavee said.
'I am a little deaf in my left ear,' Mr Wonka said. 'You must forgive me if I don't hear everything you say.'
'I said, that isn't exactly how it works!' shouted Mike Teavee.
'You're a nice boy,' Mr Wonka said, 'but you talk too much. Now then! The very first time I saw ordinary television working, I was struck by a tremendous idea. "Look here!" I shouted. "If these people can break up a photograph into millions of pieces and send the pieces whizzing through the air and then put them together again at the other end, why can't I do the same thing with a bar of chocolate? Why can't I send a real bar of chocolate whizzing through the air in tiny pieces and then put the pieces together at the other end, all ready to be eaten?"'
'Impossible!' said Mike Teavee.
'You think so?' cried Mr Wonka. 'Well, watch this! I shall now send a bar of my very best chocolate from one end of this room to the other — by television! Get ready, there! Bring in the chocolate!'