Nightside - Nightingale lament

      "What about friends and family?"
      "I have nothing to say to them." Ross folded her arms across her chest and gave me a hard, angry stare. "Where were they when I needed them? For years they didn't want to know me, never answered my letters or my pleas for but a little support, to keep me going until my career took off. But the moment I be­came just a little bit famous, and there was the scent of real money in the air, ah then, suddenly all my fam­ily and my so-called friends were all over me, looking for jobs and hand-outs and a chance to edge their way into the spotlight, too. To hell with them. To hell with them all. I have learned the hard way to trust no-one but myself."
      "Not even your roadie, Ian?"
      She smiled genuinely for the first time. "Ian, yes. Such a sweet boy. He believed in me, even during the bad times when I was no longer sure myself. There will always be a place for him with me, for as long as he wants it. But at the end of the day, I am the star, and I will decide what his place is." She shrugged
      briefly. "Not even the closest of friends can always climb the ladder at the same pace. Some will always be left behind."
      I decided to change the subject. "I understand you live here, in the club?"
      "Yes." She turned away from me and went back to looking at herself in the mirror. She was looking for something, but I didn't know what. Maybe she didn't either. "I feel safe here," she said slowly. "Protected. Sometimes it seems like the whole world wants a piece of me, and there's only so much to go round. It's not easy being a star, John. You can take lessons in music, and movement, and how to get the best out of a song, but there's no-one to teach you how to be a success, how to deal with suddenly being famous and in demand. Everybody wants something . . . The only ones I can trust any more are my management. Mr. and Mrs. Cavendish. They're only interested in the money I can make for them . . . and I can deal with that."
      "There have been stories, of late," I said carefully. "About mysterious, unexplained suicides . . ."
      She looked back at me, smiling sadly. "You of all people should know better than to believe in such gos­sip, John. It's all just publicity stories that got out of hand. Exaggerations, to put my name on everyone's lips. Everyone claims to have heard the story direct from a friend of a friend, but no-one can ever name anyone who actually died. The Nightside does so love to gossip, and it always prefers bad news to good. I'm just a singer who loves to sing . . . Talk to the Cavendishes, if you're seriously worried. I'm sure they will be able to reassure you. And now, if you will be so good as to excuse me, I need to prepare myself. I have a show to do soon."
      And she went back to staring at her face in the mir­ror, her chin cupped in one hand, her eyes lost in her own thoughts. I let myself out, and she didn't even notice I was gone. 

Four - Cavendish Properties

      I made my way back to the club bar, the tune from "There's No Business Like Show Business" playing sardonically in the back of my head. My encounter with Rossignol hadn't been everything it might have been, but it had been . . . interesting. My first impres­sions of her were muddled, to say the least. She'd seemed sharp enough, particularly her tongue, but there was no denying there was something wrongabout Rossignol. Some missingquality ... as though some vital spark had been removed, or suppressed. All the lights were on, but the curtains were a little too tightly closed. It didn't seem to be drugs, but that still left magical controls and compulsions. Not to mention soul thieves,  mindsnakes,  and even possession.  There's never any shortage of potential suspects in the Nightside. Though what major players like that would want with a mere up-and-coming singer like Rossignol . . . Ah hell, maybe she was just plain crazy. No shortage of crazies in the Nightside either. In the end, it all came down to her singing. I'd have to come back again, watch her perform, listen to what she did with her voice. See what it did to her audience. After taking cer­tain sensible precautions, of course. Certain defences. There are any number of magical creatures, mostly fe­male, whose singing can bring about horror and death. Sirens, undines, banshees, Bananarama tribute bands . . .
      Back at the bar 1 used their phone to call my new Nightside office and see how Cathy was getting on with her research into the Cavendishes. The elf bar­tender didn't raise any objections. He saw me coming and retreated quickly to the other end of the bar, where he busied himself cleaning a glass that didn't need cleaning. The chorus in their wraps and dressing gowns now had a bottle of gin each and were growing defi­nitely raucous, like faded birds of paradise with a really bad attitude. One of them had produced a copy of the magazine Duelling Strap-ons,and they were all mak­ing very unkind comments about the models in the pho­tos. I looked deliberately in the opposite direction and pressed the phone hard against my ear.
      I don't use a mobile phone in the Nightside anymore. It makes it far too easy for anyone to find me. Besides, signals here have a tendency to go weird on you. You can end up connected to all kinds of really wrong numbers, talking to anyone or anything, from all kinds of dimensions, in the past, present, and future.
      And sometimes in between calls, you can hear some­thing whispering what sounds like really awful truths ... I had my last mobile phone buried in decon­secrated ground and sowed the earth with salt, just to be sure.
      My secretary answered the phone before the second ring, which suggested she'd been waiting for my call. "John, where the hell are you?"
      "Oh, out and about," I said cautiously. "What's the matter? Problems?"
      "You could say that. Walker's been by the office. In his own calm and quiet way he is really not happy with you, John. He started with threats, escalated to open menace, and demanded to know where you were. Jail was mentioned, along with excommunication, and something that I think involves boiling oil and a funnel. Luckily, I was honestly able to say I hadn't a clue where you were, at the moment. You don't pay me enough to lie to Walker. He once made a corpse sit up and answer his questions, you know."
      "I know," I said. "I was there. Where's Walker now?"
      "Also out and about, looking for you. He says he's got something with your name on it, and I'm pretty sure it's not a warrant. Did you really black out half the Nightside? Do you need backup? Do you want me to contact Suzie Shooter or Razor Eddie?"
      "No thank you, Cathy. I'm quite capable of handling Walker on my own."
      "In your dreams, boss."
      "Tell me what you've found out about the Caven­dishes. Anything useful? Anything tasty?"
      "Not much, really," Cathy admitted reluctantly. "There's very little direct information available about Mr. and Mrs. Cavendish. I couldn't even find out their first names. There's nothing at all on them in any of the usual databases. They believe very firmly in keeping themselves to themselves, and their business records are protected by firewalls that even my computers from the future couldn't crack. They're currently sulking, by the way, and comforting themselves by sending abu­sive e-mails to Bill Gates. I've been ringing round, tap­ping all my usual sources, but once I mention the Cavendishes, most of them clam up, too afraid to speak, even on a very secure line. Of course, this being the Nightside, you can always find someone willing to talk . . . It's up to you how much faith you want to put in people like that."
      "Just give me what you've got, Cathy."
      "Well. . . Current gossip says that given the kind of deals the Cavendishes have been making recently -  sales of property, calling in debts, grabbing at every short-term deal that's going - it's entirely possible they have an urgent need for money. Liquid cash, not in­vestment. There are suggestions that either a Big Deal went seriously wrong, and won't be paying off as hoped, or that they need the money to support a new Big Deal. Or both. There are definite indications that the Cavendishes have recently moved away from their usual conservative investments in favour of high-risk/high-yield options, but that could just be the mar­ket."
      "When did they make the move into show busi­ness?"
      "Ah," said Cathy. "They've spent the last couple of years establishing themselves as big-time agents, managers, and promoters of up-and-coming new talent. They've thrown around a lot of money, without much to show for it so far. And again there's gossip that something went seriously wrong with their earlier at­tempt to promote a new singing sensation at Caliban's Cavern. Sylvia Sin really looked like she was going places for a time. Her face was all over the covers of the music and lifestyle magazines last year, but she went missing very suddenly, and no-one's seen her since. Sylvia Sin has completely disappeared, which isn't an easy thing to do, in the Nightside."
      "Give me the bottom line, Cathy."
      "All right. Cavendish Properties is an important, re­spectable, and wide-ranging business, with most of its money still in property and shares. Their showbiz ven­tures are backed up by serious capital investment, but though they've got dozens of acts on their books, Rossignol is the only potential big breakout. There's a lot of money riding on her being a big success. They can't afford for her to be another Sylvia Sin."
      "Interesting," I said. "Thanks, Cathy. I'll look by later, when I get a chance. If Walker should show up again . . ."
      "I know, hide in the loo and pretend no-one's home."
      "Got it in one," I said. "Now, tell me where to find the Cavendishes."
      Clearly the next logical step was to go and brace the Cavendishes in their lair and ask a few impertinent questions, so I left Caliban's Cavern and went walking through the long night, heading through Uptown towards the Business Area. It wasn't a long walk, and the crowds thinned away appreciably as I left show behind and headed towards business. In the end, it was like crossing a line between tinsel and glamour, and stark reality. Bright and gaudy clubs and restaurants were re­placed by sober, stern-faced buildings, and the clamour of the Nightside at play was replaced by the thoughtful quiet of the Nightside at work. The Business Area was right on the edge of Uptown, and as close to re­spectable as the Nightside got. All City Gents in smart suits, with briefcases and rolled umbrellas. But it still payed to be wary - in the Nightside, business people aren't always people. Beings from higher and lower di­mensions were always setting up shop here, hoping to make their fortune, and the battles were no less vicious for being waged in boardrooms.
      The Cavendishes' building was right where Cathy had said it would be - an old Victorian edifice, still defiantly old-fashioned in aspect, with no name or num­ber anywhere. Either you had business there, and knew where to find it, or the Cavendishes didn't give a damn. They weren't supposed to be easy to find. The Cavendishes weren't just successful, they were exclu­sive, like their club. I stood some distance away from the front door and looked the place over thoughtfully. The Cavendishes had surrounded their own private lit­tle kingdom with a hell of a lot of magical protection, most of it so strong I didn't even need to raise my Sight to detect it. I could feel it, like insects crawling over my skin. There was a tension on the air, of some terrible unseen watching presence, of immediate and dreadful danger. The building was definitely protected by Some­thing, either from Above or Below. The feelings weren't strong enough to scare off anyone who had proper business in the building, but it was more than enough to put the wind up casual visitors or even inno­cent passersby. And certainly enough to keep most vis­itors cautious, and maybe even honest.
      There was nothing subtle about this building's de­fences. The Cavendishes wanted everyone to know they were protected.
      I approached the front door confidently, as though I had every reason to be there, and pushed it open. Noth­ing happened. I strode into the lobby like I owned the place, trying hard to ignore the feeling that I had a tar­get painted on my forehead. The lobby was large, plush, very comfortable. Pictures on the walls, fresh flowers in vases, business men sitting in upholstered chairs, reading the Night Timesand waiting to be called. I headed for the reception desk, and a young man and a young woman moved immediately forward to intercept me. It seemed I was expected. The two combat magicians at the nightclub must have phoned home. I smiled at the man and the woman heading my way, started to say something clever, and stopped. There was no point. They were both Somnambulists. Dressed in basic black, their faces were pale and calm and empty, their eyes tight shut. They were both fast asleep. Somnambulists rent out their sleeping bodies for other people to use. Usually they're indentured ser­vants, paying off debts. They have no say in what's done with their bodies, and any resulting damage is their problem. Their owners, or more properly their puppet masters, can do anything they want, indulge any appetite or fantasy, for as long as the contract lasts. Or until the body wears out. That's the deal.
      The real problem, for people like me, is that Som­nambulists can't be bluffed or fooled or distracted by clever words. Which meant I was in real trouble. So I just shrugged and smiled and nodded to them, and said, "Take me to your leader."
      The man punched me in the head. He moved so quickly I didn't even see it coming. I fell to the floor, and the woman kicked me in the ribs. I tried to scram­ble away, but in a moment they were all over me, both of them kicking me so hard I could feel ribs cracking. They kept in close, leaving me no room to escape, so I curled into a ball, protecting my head as best I could. The attack had been so sudden and so brutal I couldn't get my thoughts together to try any of my usual de­fences. All I could do was take it, and promise myself revenge later.
      The beating went on for a long, long time.
      Occasionally I'd get a glimpse of the other people in the lobby, but none of them even looked my way. They knew better than to get involved. They had their deals with the Cavendishes and absolutely no intention of putting them at risk. And I knew better than to call for help. I curled up tight, my body shuddering with every blow, damned if I'd give my enemies the satisfaction of hearing me cry out. And then one boot connected solidly with my head, and everything went fuzzy for a while.
      The next thing I knew I was in an elevator, going up. The Somnambulists were standing on either side of my slumped body, faces empty, eyes closed. I lay still, doing nothing that might attract their attention. I hurt everywhere I could feel, pain so bad it made me sick. My thoughts were slow and drifting. I flexed my fin­gers slowly, then my toes, and they all worked. Breath­ing hurt, which suggested cracked and maybe even broken ribs. My mouth was full of blood. I let it drool out one side and tested my teeth with my tongue. A few felt worryingly loose, but at least I hadn't lost any. I hoped I hadn't wet myself. I hate it when that happens. It had been a long time since I took a beating this bad. Probably piss blood for a week. I'd forgotten the first rule of the Nightside - it doesn't matter how bad you think you are, there's always someone nastier. Still, this visit wasn't a total loss. I'd come looking for evidence that the Cavendishes were guilty of something, and this would do just fine.
      The elevator stopped with a jerk that rocked my body, and the pain almost made me cry out. The doors opened, and the Somnambulists bent down, picked me up and carried me out. I didn't try to fight them. Partly because I wasn't in any shape to, but mostly because I was pretty sure they were taking me where I wanted to go - to meet their masters, the Cavendishes. They car­ried me across an office and dropped me like a rubbish bag before the reception desk. The thick carpet ab­sorbed some of the impact, but it still hurt like hell, and I went away for a few moments.
      When I came back, the Somnambulists were gone. I turned my head slowly, cautiously, and saw the door to an inner office closing. I relaxed a little and slowly forced myself up onto my hands and knees. New pains flared up with every move, and I spat mouthfuls of thick and stringy blood onto the luxurious carpet. I ended up sitting awkwardly, favouring the ribs on my left side, leaning the other side carefully against the re­ception desk for support. Someone was going to pay for this.
      I was hurt, shaken, sick, and dizzy, but I knew I had to get my wits back together before the Somnambulists returned, to drag me before the Cavendishes. They didn't want me dead, or at least, not yet. The beating had been to soften me up, before the interrogation. Well, bad luck for them. I don't do soft. I had to wonder what they thought I knew ... I eased a handkerchief out of my pocket with a shaking hand and gently mopped the worst of the blood from my bruised and beaten face. One eye was already so swollen and puffy that I couldn't see out of it. The handkerchief was so much a mess when I'd finished that I just dropped it on the expen­sive carpet. Let someone else worry about it.
      I peered up and over the reception desk, and saw one of those icily gorgeous secretaries who are de rigueur in all the better offices. The kind who would bite their own limbs off before letting you past without an ap­pointment. She studiously ignored me. The phone rang, and she answered it in a cool and utterly business-like way, as though there wasn't a half-dead private eye bleeding all over her lousy carpet. It could have been just another day in any office, anywhere.
      I turned around slowly, gritting my teeth against the shooting pains, and put my back against the desk. After I'd got my breath back from the exertion, I realised there were other people in the office apart from me. In fact, there was quite a crowd of them, filling all the chairs, sitting cross-legged on the carpet, and leaning against the walls. Young, slim, fashionable and Goths to a boy and a girl, they lounged bonelessly, flipping through music and lifestyle magazines, chatting quietly and comparing tattoos, and checking out their elaborate make-up in hand mirrors. They all had the same uni­form of black on black, pale faces and heavy dark eye make-up. Skin like chalk, eyes like holes - Death's clowns. Piercings and purple mouths and silver ankhs on chains. A spindly girl curled up in a chair noticed me watching and put aside her copy of Bite Memagazine to consider me dispassionately.
      "Damn, they really put a world of hurt on you. What did you do to make them mad?"
      "I was just being me," I said, trying hard to keep my voice sounding light and effortless. "I have this effect on a lot of people. What are you doing here?"
      "Oh, we're all just hanging out. We run errands, sign fan photos for the stars, do a bit of everything really, just to help out. In return, we get to hang, hear all the latest gossip first. And sometimes we even get to meet the stars, when they show up here. Our favourite's Rossignol, of course."
      "Of course," I said.
      "Oh, she is just the best! Sings like a dark angel, love and death all wrapped up in one easy-on-the-eyes package. She sings like she's been there, and it's all going to end tomorrow ... we all just adore Rossignol!"
      "Yeah," said a skull-faced boy, in his best sepulchral growl. "We all love Rossignol. We'd die for her."
      "What makes her so special?" I asked. "Worth dying for?"
      They all looked at me like I was mad.
      "She is just so cool,man!" a barely legal girl said finally, tossing her long black hair angrily, and I knew that was all the answer I was going to get.
      "So," said one of the others. "Are you, you know, anyone?"
      "I'm John Taylor," I said.
      They all looked at me blankly and went back to their magazines and their conversations. If you weren't in the music biz, you weren't anyone. And none of them gave a damn about my condition or predicament. They wouldn't risk doing anything that might get them banned from the office and their chance to meet the stars. Fans. You have to love them.
      The door to the inner office swung open, and the Somnambulists reappeared. They headed straight for me, and I tried not to wince. They picked me up with brutal efficiency and half carried, half dragged me into the inner office. They dumped me on the floor again, and it took me a moment to get my breath back. I heard the door close firmly shut behind me. I forced myself up onto my knees, and then two hands slapped down hard on my shoulders to keep me there. Two stern fig­ures were standing before me, wearing matching frowns, but I deliberately looked away. The inner office was surprisingly old-fashioned, almost Victorian in its trappings - all heavy furniture and solid comforts. Hundreds of identical books lined the walls, looking as old and well used as the furniture. No flowers here. The room smelled close and heavy, like clothes that had been worn too long.
      Finally, I looked at my hosts. The Cavendishes re­sembled long spindly scarecrows clad in undertakers' cast-offs. Even standing still, there was something awkward and ungainly about them, as though they
      might topple over if they lost concentration. Their clothes were City Gent, both the man and the woman - characterless, anonymous, timeless. Their faces were unhealthily pale, the skin unnaturally perfect, without flaw or blemish, with that tight, taut look that usually comes from too many face-lifts. I didn't think so, in their case. The Cavendishes' faces were unlined be­cause they'd probably never experienced an honest emotion in their lives.
      They both stepped forward suddenly, to stand right in front of me, and their movements were eerily synchronised. Mr. Cavendish had short dark hair, a pursed pale mouth, and a flat, almost emotionless glare, as though I was less an enemy than a problem that needed solving. Mrs. Cavendish had long dark hair, good bone structure, a mouth so thin there were hardly any lips to it, and exactly the same eyes.
      They made me think of spiders, contemplating what their web had brought them.
      "You have no business here," the man said suddenly, the words cold and clipped. "No business. Isn't that right, Mrs. Cavendish?"
      "Indeed it is, Mr. Cavendish," said the woman, in a very nearly identical voice. "Up to no good, I'll be bound."
      "Why do you interfere in our business, Mr. Taylor?" said the man.
      "You must explain yourself," said the woman.
      Their manner of speech was eerily identical, almost without inflection. Their gaze bored into mine, stern and unblinking. I tried a friendly smile, and a thin rill of blood spilled down my chin from a split lip.
      "Tell me," I said. "Is it really true you're brother and sister as well as husband and wife?"
      I braced myself for the beating, but it still hurt like hell. When the Somnambulists finally stopped, at some unseen signal, it was only their grip on my shoulders that kept me upright.
      "We always use Somnambulists," said the man. "The very best kind of servants. Isn't that so, Mrs. Cavendish?"
      "Indeed yes, Mr. Cavendish. No back talk, and no treacherous independence."
      "Good help is so hard to find these days, Mrs. Cavendish. A sign of the times, I fear."
      "As you have remarked before, Mr. Cavendish, and quite rightly." The woman and the man looked at me all the time they were speaking, never once even glancing at each other.
      "We know of you, John Taylor," said the man. "We are not impressed, nor are we disposed to endure your famous insolence. We are the Cavendishes. We are Cavendish Properties. We are people of substance and of standing, and we will suffer no intrusions into our affairs."
      "Quite right, Mr. Cavendish," said the woman. "You are nothing to us, Mr. Taylor. Normally, you would be utterly beneath our notice. You are only one little man, of dubious parentage. We are a corporation."
      "The singer Rossignol is one of our Properties," said the man. "Mrs. Cavendish and I own her contract. Her career and life are ours to manage, and we always pro­tect what's ours."
      "Rossignol belongs to us," said the woman. "We own everything and everyone on our books, and we never let go of anything that's ours."
      "Except to make a substantial profit, Mrs. Cavendish."
      "Right you are, Mr. Cavendish, and I thank you for reminding me. We don't like anyone taking an un­healthy interest in how we manage our affairs, Mr. Tay­lor. It is no-one's business but ours. Many would-be heroes have tried to meddle in our concerns, down the years. We are still here, and mostly they are not. A wise man would deduce a useful lesson from these facts."
      "How are you planning to stop me?" I said, not quite as distinctly as I would have liked. My lower lip was swelling painfully. "These sleeping beauties can't fol­low me around all the time."
      "On the whole, we deplore violence," said the man. "It's so ... common. So we have others perform it for us, as necessary. If you annoy us again, if you so much as approach Rossignol again, you will be crippled. And if you choose not to heed that warning, you will be killed. In a sufficiently unpleasant manner to discour­age any others who might presume to interfere in our business."
      "Still," said the woman, "we are reasonable people, are we not, Mr. Cavendish?"
      "Business people, Mrs. Cavendish, first and fore­most."
      "So, let us talk business, Mr. Taylor. How much do you require to work for us, and only us?"
      "To become one of our people, Mr. Taylor."
      "A valued part of Cavendish Properties, and thus en­titled to enjoy our goodwill, remuneration, and protec­tion."
      "Not a chance in hell," I said. "I'm for hire, not for sale. And I already have a client."
      The Somnambulists stirred on either side of me, and I flinched despite myself, expecting another beating. A sensible man would have played along, but I was too angry for that. They'd taken away my pride—all I had left was my defiance. The Cavendishes sighed in uni­son.
      "You disappoint us, Mr. Taylor," said the woman. "I think we will let the proper Authorities deal with you, this time. We have already contacted Mr. Walker, to complain about your unwanted presence, and he was most interested to learn of your present location. It seems he is most anxious to catch up with you. He is on his way here now, in person, to express his displeasure with you and take you off our hands. Whatever can you have done, Mr. Taylor, to upset him so?"
      "Sorry," I said. "I never kiss and tell."
      The Somnambulists started to move again, and I reached into an inside pocket of my trench coat and grabbed one of the packets I kept there for emergen­cies, recognising it immediately by shape and texture. I pulled the packet out as the Somnambulists leaned over me, tore it open, and threw the pepper into their faces. The heavy dark powder hit them squarely in the nose and eyes, and they both breathed it in before they could stop themselves. And then they were both sneezing, loud, vicious sneezes that made their whole bodies con­vulse. Tears rolled out from under their closed eyes, and they fell back from me, sneezing so hard and so often they could hardly stay upright. And still the sneezing went on as the pepper did its unrelenting work. Both Somnambulists bent forward from the waist, tears forcing themselves from their closed eyes, and in a moment they were both wide awake. The shock to their systems had been too much, the sheer strength of the involuntary physical reactions had been enough to overcome their enforced sleep. They were both wide awake, and hating every moment of it. They clutched at each other for support and looked around through wa­tering eyes. I lurched to my feet and glared at them both.
      "I'm John Taylor," I said, in my very best Voice of Doom. "And I am really upset with you."
      The two awakened Somnambulists looked at me, looked at each other, in between sneezes, then turned and ran. They practically fought each other over who got to go through the door first. I grinned, despite my split and swollen lips. There are times when a carefully cultivated bad reputation can come in very handy. So can pepper, and salt. I always keep packets of both in my pockets. Salt is very good for dealing with zombies, for tracing protective circles and pentacles, and as a general purifier. Pepper has many practical uses, too. I carry other things in my pockets, some of them poten­tially quite viciously nasty, and right then I was in a mood to use every single one of them on the Cavendishes.
      I'd like to say I waited till I'd learned all I could be­fore I used the pepper. But the truth is, it had taken me until then to find the strength of will to use it.
      I fixed the Cavendishes with a heavy glare. They stared back, apparently unmoved, and the man turned abruptly, picked up a silver bell from his desk, and rang it loudly.
      A transport pentacle flared into life in one corner of his office, the pentacle's design shining suddenly in bright actinic lines as it activated, and in a moment there was someone else in the room with us. Someone I knew. He was dressed very formally, in a midnight blue tuxedo, a blindingly white shirt and bow tie, and a sweeping opera cloak, complete with scarlet lining. His carefully styled hair was jet-black, as was his neatly trimmed goatee. His eyes were an icy blue, and his mouth was set in a supercilious sneer. Anyone else would have been impressed, but I knew better.